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SHOOT Phase 2 FYC Ad Opportunities helps turn Noms into Wins....join us as we continue on the Road to Oscar...

Thu, 22 Jan 2026 16:39:00 GMT

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SHOOT Phase 2 FYC Ad Opportunities helping turn Noms into Wins....join us as we continue on the Road to Oscar...

Thu, 22 Jan 2026 15:44:00 GMT

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Excited To Present SHOOT's Great Emmy Phase 2 FYC Advertising Opportunities...

Thu, 17 Jul 2025 13:55:00 GMT

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Get Ready for Emmy Phase 2 with great SHOOT FYC advertising options!

Wed, 09 Jul 2025 14:38:00 GMT

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Get Ready for Emmy Phase 2 with great SHOOT FYC advertising options!

Tue, 08 Jul 2025 22:03:00 GMT

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Don't Miss Out On SHOOT's EMMY Phase 1 FYC Advertising Opportunities Still Available!

Thu, 08 May 2025 20:10:00 GMT

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Your Ad in SHOOT = High-profile Industry Exposure - Reserve now for the June/July All Digital & PDF Issue!

Thu, 23 May 2024 14:59:00 GMT

<table align="center" border="0" cellpadding="1" cellspacing="1" style="width:580px"> <tbody> <tr> <td style="text-align:center">Trouble viewing this SHOOT email? <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list/20220722211728/&source=gmail&ust=1658612602400000&usg=AOvVaw3vYbFmoiZuoxHr_TGAGuBK" href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//" target="_blank">View webcopy here</a> | <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list/20220722211728/%23forward_to_a_friend&source=gmail&ust=1658612602400000&usg=AOvVaw2XYp-ivkfU5rHL1KASq6zx" href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//#forward_to_a_friend" target="_blank">Forward</a> to a colleague</td> </tr> <tr> <td> <img alt="" height="375" src="https://mailer.shootonline.com/dada_mail_support_files/file_uploads/StandOutFromCrowd_750header.jpg" width="750" /> Advertising with SHOOT will shine a BIG spotlight on your Production, Post, Editorial, VFX, Animation, Music & Sound, Production services, Equipment, Financial services company or Film commission. <span style="font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: rgb(255, 255, 255); text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;">An Ad in SHOOT connects you to our audience of commercial & entertainment production & post decision-makers at  ad agencies, brands, TV/cable/streaming networks, movie studios, independent filmmakers & production/post companies. Advertise to bring high-profile exposure to your company, talent, work, services & products Industry decision-makers have been referring to SHOOT since 1960 to learn about who they may want to connect with; SHOOT provides the ideal environment in which to tell them why it should be with you! <span style="font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px; background-color: rgb(255, 255, 255); text-decoration-style: initial; text-decoration-color: initial; float: none; display: inline !important;">With marketing options for every budget, we’re happy to work with you to find solutions that best fit your needs, further build your brand and help you stay relevant in an evolving marketplace. Closing Soon... SHOOT Magazine's All Digital June/July Issue PDF Issue with Digital Distribution Your Ad will have live link to your website! <img alt="" height="359" src="https://mailer.shootonline.com/dada_mail_support_files/file_uploads/JuneJuly23Issue_small.jpg" width="300" /> Distribution 6/10: PDF Issue will be posted on SHOOTonline for 50,000+ monthly visitors to view/download. Sample PDF Issue: <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2023_june-july_edition.pdf">Click Here</a> to see the June/July 2023 PDF Issue 6/10 :Issue Alert will be emailed to 22,000 subscribers. Sample Issue Email Alert: <a href="https://shoot.activehosted.com/index.php?action=social&chash=35bf98501edec1431e0c2fabe948da66.10072&s=48f4dff7a23c5253b900932aa6b07614">Click Here</a> for June/July 2023 Issue Email Alert Ad Deadlines Space Reservations: 5/28  ||   AD PDF File Due: 6/3 Special Discount Rates Full Page B/W: $1,450.     Full Page2/C: $1,700.     Full Page 4/C:   $2,100. 1/2 Page B/W:  $   815.     1/2 Page 2/C:  $   975.    1/2 Page 4/C:    $1,235. 1/4 Page B/W   $   565.     1/4 Page 2/C:  $   675.    1/4 Page 4/C:    $  855.   Bonu! With a 1/4 Ad, you get space for a 180x150 Banner on the 6/14 SHOOT>e.dition (value: $375.) With a 1/2 Page Ad, you get space for a 180x150 Banner on the 6/14 & 6/21 >e.ditions (value: $750.) With a Full Page Ad, you get space for a 180x150 Banner on the 6/14, 6/21 & 6/28 >e.ditions (value: $1,125)<br style="box-sizing:border-box; outline:none; color:#212529; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-style:initial; text-decoration-color:initial" /> Here's a look at some of the features to be published in the issue... Cannes Lions: Jury Duty<br style="box-sizing:border-box; outline:none; color:#212529; font-family:sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> This is a special annual feature spotlighting a mix of jury presidents and judges who discuss their expectations, priorities and hopes for the upcoming Cannes Lions International Festival of Creativity, slated for June 17-21. Insights will come from jurors and those presiding over juries spanning the Film Lions, Entertainment Lions, Film Craft Lions, Creative Business Transformation Lions, Brand Experience & Activation Lions, and much more, including: --Pancho Cassis, Direct Lions jury president, partner and global chief creative officer, DAVID --Joaquin Cubria, Creative Data Lions juror, chief creative officer, GUT Buenos Aires --Amy Ferguson, Social & Influencer Lions jury president, U.S. partner and chief creative officer, Special New York --Olivier Lefebvre, Entertainment Lions juror, and president/executive creative officer, FRED & FARID Paris --Karim Naceur, Film Craft Lions juror, and global head of TV production, BETC --Suresh Rag, Glass: The Lion for Change juror, and chief growth officer, McCann New York --Michael Treff, Creative Business Transformation Lions juror, and CEO, Code and Theory --Shamel Washington, Pharma Lions juror, associate creative director, Deloitte Digital --Stephanie Yung, Industry Craft Lions juror, chief design officer, Zulu Alpha Kilo --additional names to be announced 2024 Tribeca Festival  SHOOT connects with directors and producers ahead of their premiering films and television content--from shorts to feature-length and episodic fare--at the Tribeca Festival, which runs from June 5-16. --Director Rodney Lucas makes his Tribeca debut with his documentary short Black Hercules, part of the festival's Unbought & Unbossed Shorts Program. Lucas makes his commercialmaking home at Little Minx. --Director Michael Marantz's The White Rabbit is premiering at Tribeca. This marks the second time he has made the festival cut. Marantz, an alum of SHOOT's 2015 New Directors Showcase, is with production company m ss ng p eces. --Director Dawn Porter's Luther: Never Too Much--which delves into the life of singer Luther Vandross--made the cut for Tribeca's Spotlight Documentary program. Porter is on the commercialmaking roster of INSTITUTE. --Additional names to be announced.  The Road to Emmy, Part 5 SHOOT’s 16-part “The Road To Emmy” Series, continues as we take a look at directors, producers, writers, cinematographers, editors, production designers and other talent generating Awards buzz, including --Director DeMane Davis discusses The Girls on the Bus (Max) --Cinematographer Adriano Goldman, ASC, BSC, ABC shares insights into his ongoing work on The Crown (Netflix) --Claire Mundell, executive producer, and Tali Shalom-Ezer, director and co-executive producer of The Tattooist of Auschwitz (Peacock) --Hiro Murai, director/executive producer of Mr. & Mrs. Smith (Prime Video) --David Oyelowo, actor/executive producer, Lawmen: Bass Reeves (Paramount+) --Director Tim Van Patten sheds light on the miniseries Franklin (Apple TV+) --Additional names to be announced Cinematograhers & Cameras SHOOT connects with leading cinematographers who shed light on their work, the challenges it posed, as well as the collaborative relationships with directors, EPs and others that helped bring their projects to fruition. Our lineup of cinematographers includes: --Maceo Bishop on shooting The Curse (Showtime) and reuniting with the Safdie brothers. --Tim Ives, ASC discusses lensing We Were The Lucky Ones (Hulu) --Tami Reiker, ASC delves into The Morning Show (Apple TV+) --Quyen Tran, ASC reflects on her journey into the Star Wars universe with Ahsoka (Disney+) --additional names to be announced. Chat Room Interview Josh Margolin discusses his directorial debut, Thelma (Magnolia Pictures), which made a major splash on opening night at this year's Sundance Film Festival. The action-comedy stars June Squibb in the title role of a 93-year-old grandmother who is the victim of a phone scam. She embarks on a quest to get her money back. Thelma marks Squibb's first leading role in a feature. She's made her mark in supporting roles, most notably in Alexander Payne's Nebraska. Plus the following SHOOT Columns <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Spot.com.mentary: SHOOT Editor's column<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">POV: Guest column by industry insiders on topical issues<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Short Takes: Industry developments<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Hot Locations: The latest Film Commissions and filming incentives news impacting feature, TV, commercial, music video, short film and interactive production. <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Toolbox: Technology/equipment news<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Music Notes: Music & Sound news<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">VFX & Animation: Visual Effects & Animation news<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">On the Wire: Latest postings on The SHOOT Publicity Wire<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Street Talk: Latest news headlines<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Rep Report: Latest signings<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Flash Back: News headlines from SHOOT 5 & 10 years ago </td> </tr> <tr> <td> Other Great SHOOT Marketing Opportunities... SHOOTonline.com highly targeted production/post industry website with 50,000+ unique visitors per month <img alt="" height="640" src="https://mailer.shootonline.com/dada_mail_support_files/file_uploads/shoot/SHOOTonline_Homepage.jpg" width="300" /> Banner Sizes: 970x250, 970xx90, 728x90, 300x600, 300x250, 468x60 plus interstitial, wallpaper/skins & more File formats: Jpg, GIF, Animated GIF, HTML5 <a href="mailto:rgriefer@PROTECTED?subject=Please%20send%20advertising%20rates">Click Here </a>to receive special discounted rates for produciton & post-related companies <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/321590982577/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw1_TGqzZKueKN5730cj_WIZ" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/321590982577/0936c09064ef8fcd34f43d9278051214/" target="_blank">Click Here</a> for SHOOTonline.com banner specs Major Benefits to SHOOTonline Advertising... <ul style="color:#222222;font-family:Arial,Helvetica,sans-serif;font-size:small;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-transform:none;white-space:normal;word-spacing:0px;text-decoration-style:initial;text-decoration-color:initial;background-color:#fefefe"> <li style="margin-left:15px"> <div>#1 When you purchase a banner it runs on the Home Page and all pages throughout the site - and there are thousands of them--a key benefit as while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our 3 email newsletters so they are entering the site on all different pages and your banner will be wherever that is! #2 Banners will also rotate up and down on pages where there are multiple slots of your size. Sometimes it will be on top of page, sometimes middle or bottom and even sometimes will be in two slots on the same page; always while appearing on all different pages at the same time. #3 Mobile Friendly! you'll be able to provide additional size banners for mobile at no extra cost so your banners appear perfectly on all mobile devices!</div> </li> </ul> SHOOT>e.dition email newsletter weekly email newsletter published every Friday for 22,000 opt-in subscribers <span style="color:rgb(34,34,34);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:400;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);text-decoration-style:initial;text-decoration-color:initial">The >e.dition contains abstracts/links to all of the articles, columns, interviews, videos published on SHOOTonline.com & releases published on the SPW during the previous week. Great addition to SHOOTonline.com banner advertising - as readers of the >e.dition click back and forth to the site they will see your site banners that appear on the Home Page and all throughout the site. Banner Sizes: 468x60, 180x150, 180x600 File Formats: Jpg, GIF, Animated Gif Become a MySHOOT Member & start posting your MySHOOT Profile Production & Post Companies can become a MySHOOT Business Member for $49.95 per month & immediately start taking advantage of the following member benefits... Benefit # 1: Post your <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/922630842628/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw1Xr-xw0OYw_4hO5q2bBNS9" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/922630842628/0936c09064ef8fcd34f43d9278051214/" style="color:#1155cc" target="_blank">MySHOOT</a> Company Profile with Company Reel & up to to 10 individual MySHOOT Talent Profiles/Reels (for your directors, producers, DPs, editors, VFX Artisans, composers, mixers etc) Benefit #2. We'll help drive traffic to your MySHOOT Profile with free digital marketing worth thousands of $! We'll run your Company Logo & individual artisan headshots in the "MySHOOT Profiles" and "MySHOOT Company Profiles" columns on SHOOTonline.com and in our three email newsletters! When readers click on the logos or headshots, they will be linked to your MySHOOT Profiles. It's easy to get started. Simply <a href="https://my.shootonline.com/membership-subscription/">become a MySHOOT Member</a> (Company and Individual memberships available) to start posting your profile and take advantage of the other benefits of membership. Take Your PR To The Next Level With The SHOOT Publicity Wire (SPW)! SPW is a newswire service for the entertainment & advertising production industries. Companies, individuals or PR firms on behalf of their clients can post a full News Release or a Video Release. The SPW is self-serve, user-friendly, reasonably priced and allows you to tell your story your way. Separate from editorial consideration, one does not influence or affect the other. Posting a News or Video release on the SPW will reach entertainment & commercial decision-makers at ad agencies, brands, movie studios, TV/Cable/OTT Networks, production/post/editorial/VFX/animation/music & sound cos, media outlets, journalists, bloggers, researchers, social networkers, search engines, prosumers, fan sites & other industry stakeholders and influential decision-makers that affect the filmmaking, commercialmaking, media, television, web and mobile video businesses. Rate: $60. Post a “News Release” with full content, up to 7 photos, hot links & 1-2 video/s. $20. Post a "Video Release" with video, brief description & credits (ideal for promoting promoting trailers, promos, commercials, music videos, BTS videos) High-profile Distribution: >The SHOOT Publicity Wire. <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/359558353053/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw3hPw4NlyYGL7FD1RhuiDtb" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/359558353053/0936c09064ef8fcd34f43d9278051214/" target="_blank">Click Here</a> for SPW Home Page >On Wednesday evenings, abstract/links to all the releases posted in the last week will go out in Brand New[s] to 18,000 opt-in subscribers.  >SHOOT Dailies email newsletter has abstracts/links to SHOOT articles and SPW releases posted that day will go out to 3,500 opt-in subscribers that night.  >SHOOT>e.dition every Friday email newsletter. Link to release runs on the left side column under "SHOOT Publicity Wire" heading  Included is SHOOTonline.com site placement, archiving and indexing, RSS Feeds, social feeds to Twitter, Facebook, LinkedIn and mobile SMS dynamic feed,and search engine optimization (SEO) for Google, Yahoo, Bing, etc. For SPW information, please visit: <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/990282481397/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw1CsNYCN2JPh87P50I7RZ7H" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/990282481397/0936c09064ef8fcd34f43d9278051214/" target="_blank">http://pr.shootonline.com/</a> For SPW Home Page, please visit: <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/359558353053/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw3hPw4NlyYGL7FD1RhuiDtb" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/359558353053/0936c09064ef8fcd34f43d9278051214/" target="_blank">https://www.shootonline.com/spw/home</a> For SPW categories, please visit: <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/132008761658/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw2KqaRhNrMUOXinTNQzsTuV" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/132008761658/0936c09064ef8fcd34f43d9278051214/" target="_blank">https://www.shootonline.com/spw-categories</a> SPW FAQs: <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/966929204693/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw2Vxk-_hOzTrXkMroSj4-JJ" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/966929204693/0936c09064ef8fcd34f43d9278051214/" target="_blank">http://faq.shootonline.com/category/spw</a> How to get started: If you’re not a registered user or SHOOT member, the first step is to register for free at <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/518469626666/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw2uzbpSb8nMa6CetBObKI2-" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/518469626666/0936c09064ef8fcd34f43d9278051214/" target="_blank">https://members.shootonline.com/user/register</a> Once registered, log in and you can start posting. SHOOT 2024 22nd Annual New Directors Showcase Event Sponsorship Sponsors receive amazing promotion before, during & for a full year after the event. This year's event will take place in the fall 2024 (date to be announced soon) <a href="https://nds.shootonline.com/sponsorships/">Click Here</a><a href="https://nds.shootonline.com/sponsorships/"> </a>to receive 2024 Sponsor information. <a data-saferedirecturl="https://www.google.com/url?hl=en&q=https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/171776742405/0936c09064ef8fcd34f43d9278051214/&source=gmail&ust=1658612602401000&usg=AOvVaw093ghndEBMDM5N-bpLICyP" href="https://mailer.shootonline.com/dada/mail.cgi/r/marketing_list/171776742405/0936c09064ef8fcd34f43d9278051214/" target="_blank">Click Here</a> to see the 2023 SHOOT 20th Annual New Directors Showcase SHOOT Custom Email Blasts Fully Dedicated email blast sent to SHOOT opt-in database of 40,000. Rates: One email blast: $3,500. $3,200. each for production/post industry companies if two or more are sent in a 2-month period. $3,200. each for FYC advertisers if two or more are sent during the same phase. Minimum buy requirement: To utilize email blast service, advertisers must run at least a 2-week SHOOTonline.com banner. SHOOT Custom email blasts are ideal for promoting FYC messages, Screenings, BTS videos, production services, special offers, upcoming events, auctions & much more. You can provide HTML ready to send or SHOOT can build the HTML for you! For more information, ad rates & space reservations, <a href="mailto:rgriefer@PROTECTED?subject=SHOOT%20advertising%20inquiry" target="_blank">please contact</a> SHOOT Publisher, Roberta Griefer. </td> </tr> <tr> <td> <hr />This message was sent to <a href="mailto:example@PROTECTED">subscriber </a>for SHOOT. 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FYC Advertising Alert: You're not going to want to miss this great opportunity right before nominations voting!

Wed, 22 May 2024 20:28:00 GMT

<table align="center" border="0" bordercolor="#ccc" cellpadding="5" cellspacing="0" style="border-collapse:collapse;width:650px;"> <tbody> <tr> <td style="text-align: center;">Trouble viewing this SHOOT email? See it online <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}marketing_list/{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}{C}/" target="_blank" title="Click here to see this email screening invite online. Thank you.">here</a> | <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//#forward_to_a_friend" target="_blank" title="Click to forward this special screening invite to associate">Forward</a> to associate</td> </tr> <tr> <td> SHOOT's High-profile Platforms Deliver FYC Messages Directly to  Above-the-Line & Below-the-Line Decision-makers, including Directors, Producers, Cinematographers, Editors, Writers, Production designers, Music & Sound and VFX & Animation artisans, + more! </td> </tr> <tr> <td> <img alt="" height="650" src="https://mailer.shootonline.com/dada_mail_support_files/file_uploads/JuneJuly23Issue_52224.jpg" style="float:left" width="650" />Here's a look at SHOOT's Not-To-Miss Phase 1 FYC Advertising Opportunities... </td> </tr> <tr> <td> SHOOT Magazine's July/July Emmy Phase 1 Issue This Issue will be an ALL PDF/Digital Issue   Looks like Print with all the benefits of Digital, with: Ideal Timing To ensure this issue is top-of-mind during Nominations voting (6/13-6/24), we’re going ALL Digital/PDF+EXTRA digital distribution with direct links to it to bring it even more attention. Ideal Audience of Above-the-Line & Below the Line decision-makers Your Ad/ads will reach SHOOT’s high-profile / highly targeted production & post industry decision-makers, including producers/production execs, directors, cinematographers, documentarians, editors, writers, VFX/Animation supervisors/artists, production designers, composers, sound designers + more. Ideal Environment          Road to Emmy, Part 5 Feature, Leading Cinematographers Feature + more. Special Discount Rates (40% off print rates) Full Page 4/C (includes premium posiiton prior to page 17) 1 Page       2 Pages          3 Pages+      $2,520.       $2,268. ea        $2,016. ea     PLUS A Bonus With each Full Page Ad, you'll recieve space for a 180x150 banner on the 6/14 SHOOT>e.dition email newsletter that goes to 22,000 opt-in subscribers! (Value of this Bonus is $375. per banner) <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_fycjunejulyemmyphase_1_2024issue_0.pdf">Click Here</a> for Full Rates <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shootmagazine_printadspecs_1.pdf">Click Here</a> for SHOOT Magazine Ad Specs Advertising Deadlines 5/28 Space Reservations   6/3  Ad PDF Files Due     Issue Distribution                                6/10 PDF Issue posted online for 50,000+ visitors to view/download <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2023_june-july_edition.pdf">Click Here</a> to see the SHOOT Magazine's Emmy 2023 Phase 1 June/July Issue                       6/10 Custom Email Blast Issue Alert emailed to 40,000 database <a href="https://shoot.activehosted.com/index.php?action=social&chash=35bf98501edec1431e0c2fabe948da66.10072&s=1843aa54f0b532748ff7f9edcbb657a9">Click Here</a> to see the email alert sent to 40,000 subscribers linking to the June/July PDF Issue The issue will be packed with relevant & timely coverage that will have the people you want to reach reading cover to cover. Here's a look at a few of the special features / interviews... The Road to Emmy, Part 5 SHOOT continues its 16-part “Road To Emmy” Series focusing on programs & artisans generating Awards buzz--spanning directors, producers, cinematographers, editors, production designers, VFX & Animation artisans, composers, sound designers & more--who will share insights into their programs and collaborators. Among those discussing their work are: <ul> <li>Director DeMane Davis discusses The Girls on the Bus (Max)</li> <li>Cinematographer Adriano Goldman, ASC, BSC, ABC shares insights into his ongoing work on  The Crown (Netflix)</li> <li>Claire Mundell, executive producer, and Tali Shalom-Ezer, director and co-executive producer of  The Tattooist of Auschwitz (Peacock)</li> <li>Hiro Murai, director/executive producer of Mr. & Mrs. Smith (Prime Video)</li> <li>David Oyelowo, actor/executive producer, Lawmen: Bass Reeves (Paramount+)</li> <li>Director Tim Van Patten sheds light on the miniseries Franklin (Apple TV+)</li> <li>Additional names to be announced</li> </ul> <font style="box-sizing:border-box; outline:none; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Leading Cinematograhers <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> Cinematographers who are in the current season's Emmy conversation shed light on their work, the challenges it posed, as well as the collaborative relationships with directors, EPs and showrunners that helped bring their projects to fruition. Participating DPs include: <ul> <li>Maceo Bishop on shooting The Curse (Showtime) and reuniting with the Safdie brothers.</li> <li>Tim Ives, ASC discusses lensing We Were The Lucky Ones (Hulu)</li> <li>Tami Reiker, ASC delves into The Morning Show (Apple TV+)</li> <li>Quyen Tran, ASC reflects on her journey into the Star Wars universe with Ahsoka (Disney+)</li> <li>Additional names to be announced</li> </ul> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">                                                            Chat Room Inteview<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Josh Margolin discusses his directorial debut, Thelma (Magnolia Pictures), which made a major splash on opening night at this year's Sundance Film Festival. The action-comedy stars June Squibb in the title role of a 93-year-old grandmother who is the victim of a phone scam. She embarks on a quest to get her money back. Thelma marks Squibb's first leading role in a feature. She's made her mark in supporting roles, most notably in Alexander Payne's Nebraska. <font style="box-sizing:border-box; outline:none; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">                                                                 <font style="box-sizing:border-box; outline:none; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">    2024 Tribeca Festival<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">SHOOT connects with directors and producers ahead of their premiering films and television content--from shorts to feature-length and episodic fare--at the Tribeca Festival, which runs from June 5-16. <ul> <li>Director Rodney Lucas makes his Tribeca debut with his documentary short Black Hercules<span style="box-sizing: border-box; outline: none; color: rgb(33, 37, 41); font-variant-ligatures: normal; text-align: left; white-space: normal; background-color: rgb(255, 255, 255); text-decoration-thickness: initial; text-decoration-style: initial; text-decoration-color: initial;">, part of the festival's Unbought & Unbossed Shorts Program. Lucas makes his commercialmaking home at Little Minx.</li> <li>Director Michael Marantz's The White Rabbit is premiering at Tribeca. This marks the second time he has made the festival cut. Marantz, an alum of <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">SHOOT's 2015 New Directors Showcase, is with production company m ss ng p eces.</li> <li>Director Dawn Porter's Luther: Never Too Much--which delves into the life of singer Luther Vandross--made the cut for Tribeca's Spotlight Documentary program. Porter is on the commercialmaking roster of INSTITUTE.</li> <li>Additional names to be announced. </li> </ul>                                                              SHOOT Magazine Samples See Last year's Phase 1 Issue & Email Alert <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2023_june-july_edition.pdf">Click Here</a> to see the SHOOT Magazine's Emmy 2023 Phase 1 June/July Issue <a href="https://shoot.activehosted.com/index.php?action=social&chash=35bf98501edec1431e0c2fabe948da66.10072&s=1843aa54f0b532748ff7f9edcbb657a9">Click Here</a> to see the email alert sent to 40,000 subscribers linking to the June/July PDF Issue See other past Phase 1 Issues <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_june-july-2022r_edition.pdf">Click Here</a> to see the SHOOT Magazine's Emmy 2022 Phase 1 June/July Issue.  <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2021_june-july_edition.pdf">Click Here</a> to see the SHOOT Magazine's Emmy 2021 Phase 1 June/July Issue.  Additional FYC Advertising Opportunities... <a href="https://www.shootonline.com">SHOOTonline.com</a>  <ul> <li> Highly targeted production/post industry website with 50,000+ unique visitors per month.  Major Benefits to FYC Advertising on SHOOTonline #1 When you purchase a banner it runs on the Home Page and all pages throughout the site - and there are thousands of them--a key benefit as while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our 3 email newsletters so they are entering the site on all different pages and your banner will be wherever that is! #2 Banners will also rotate up and down on pages where there are multiple slots of your size. Sometimes it will be on top of page, sometimes middle or bottom and even sometimes will be in two slots on the same page; always while appearing on all different pages at the same time. #3 Mobile Friendly! you'll be able to provide additional size banners for mobile at no extra cost so your banners appear perfectly on all mobile devices! #4 Banners, Intersitials & Wallpaper/Skins may start any day of the month. </li> <li> Phase 1 Banners Available: Billboard: 970x250 (sold out 6/12-/6/26)      14 day Rate: $1,950. 30 day Rate: $3,600.    Side Half Page 300x600        14 day Rate: $1,950.  30 day Rate: $3,600.  Side Med Rectange 300x250      14 day Rate: $1,050.   30 day Rate: $1,800. Mid Horizontal 468x60      14 day Rate: $  850.   30 day Rate: $1,500. Special Sizes:  <a href="https://drive.google.com/drive/folders/16CjFG5G1Hy5gWszP2REZBcozGakPbz2U?usp=sharing">Click Here </a>for Samples of the following high profile options: Interstitial: 600x500 up to 800x550      opens on black background when someone first enters the site      14 day Rate: $2,800.  30 day Rate: $4,800. Wallpaper/Skins: Top 1110x250 + Left & Right 300x1250s      biggiest/splashiest way to promote your FYC Advertising!      14 day Rate: $5,860.  30 day Rate: $10,000. Floor/Catfisher: 970x90      appears at bottom of above-the-fold part of screen & remains there as users scroll down!      14 day Rate: $1,950.   30 day Rate: $3,600.                                    <a href="https://www.shootonline.com/pdfs/bannerspecs">Click Here</a> for SHOOTonline.com banner specs    <a href="https://www.shootonline.com/pdfs/SHOOT_DigitalAdRates" style="font-family: verdana, geneva, sans-serif; font-size: 12px;">Click Here</a> for Digital Ad Rates     </li> </ul> The SHOOT>e.dition email newsletter Every Friday email newsletter to 22,000 opt-in subscribers, containing abstracts/links to all of the articles, columns, interviews, videos published on SHOOTonline & releases published on the SPW during the previous week. Great addition to SHOOTonline banner advertising - as readers of the >e.dition click back and forth to the site they will see your site banners that appear on the Home Page and all throughout the site. <ul> <li> Phase 1 >e.dition Dates: 5/17, 5/24, 5/31, 6/7, 6/14, 6/21 Phase 2 >e.dition Dates: 7/19, 7/26, 8/2, 8/9, 8/16, 8/23 Banner Sizes Top:            468x60  -$  500.  Side:           180x150-$  375. Skyscraper: 180x600-$1,050. </li> </ul> SHOOT Custom Email Blasts Sent to our email database of 40,000, hugely popular for FYC messages including screening / virtual screening invitations, BTS videos, etc.  Most Phase 1 Dates are sold out.  Remaining Available Dates are...  5/31, 6/24 Minimum buy requirement to utilize SHOOT Custom Email Blast Service: Advertiser to run at least a 14 day SHOOTonline website banner                                                      The SHOOT Dailies Monday-Friday email newsletter to 3,500 opt-in subscribers, containing abstracts/links to all of the articles, columns, interviews, videos published on SHOOTonline.com & releases published on the SPW that day.   (recommended add-on to a strong SHOOTonline/SHOOT>e.dition schedule for added cross-promotion)  The SHOOT Publicity Wire (SPW) Entertainment industry wire service provides $60. option for posting publicity releases with photos, video, links - ideal for promoting nominated work, above-the-line and below-the-line talent, behind the scenes videos, promos, new show launches and more. Fantastic distribution!  <a href="http://pr.shootonline.com/" target="_blank">Click Here</a> for info on distribution, categories, sample releases, etc. Contact:  <a href="https://shootonline.com/emmyfyc">Click Here</a> for more info on SHOOT's Emmy FYC Advertising For Space Reservations & more info... please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699 ext 701 or <a href="mailto:rgriefer@PROTECTED?subject=SHOOT%20FYC%20Marketing%20Inquiry">via email</a> </td> </tr> <tr> <td> This message was sent from SHOOT, 2046 Treasure Coast Plaza, Suite A-117, Vero Beach, FL 32960 To forward this message, please do not use the forward button of your email application, because this message was made specifically for you only.  Instead use the <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//#forward_to_a_friend">forward page</a> in our newsletter system. To change your details and to choose which lists to be subscribed to, visit your personal <a href="https://mailer.shootonline.com/dada/mail.cgi/profile_login/example/example.com/" target="_blank">preferences page</a> or you can <a href="">opt-out</a> completely from all future mailings. </td> </tr> </tbody> </table> <img src="https://mailer.shootonline.com/dada/mail.cgi/spacer_image/marketing_list///spacer.png" width="1" height="1" alt="" />

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SHOOT Phase 2 FYC Ad Opportunities helping turn Noms into Wins....join us as we continue on the Road to Oscar...

Tue, 23 Jan 2024 15:07:00 GMT

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GREAT Ad Opportunity: Dec/Jan Issue Closing - Don't Miss out!

Wed, 13 Dec 2023 16:34:00 GMT

<table align="center" border="0" bordercolor="#ccc" cellpadding="5" cellspacing="0" style="border-collapse:collapse;width:600px;"> <tbody> <tr> <td style="text-align: center;">Trouble viewing this SHOOT email? See it online <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//">here</a> | <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//#forward_to_a_friend">Forward</a> to associate</td> </tr> <tr> <td> Deliver Your Message Directly to  Production & Post Decision-makers With an Ad in SHOOT Magazine's Next Issue... </td> </tr> <tr> <td> <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2022_aug-sept_edition.pdf" target="_blank"><img alt="" height="298" src="https://mailer.shootonline.com/dada_mail_support_files/file_uploads/shoot/shoot_aug-sept2021_ecoverthumb.jpg" style="float:right" width="300" /></a>SHOOT Dec/Jan  ALL Digital/PDF Issue with Digital Distribution Don't miss this great opportunity! closing for space 12/18  & ad material 12/22 Ideal Timing As we near the end of the year and start to look forward to the holidays, it's a great time to advertise as potential clients are also thinking about and planning their New Year production & post needs. This ALL Digital/PDF Issue with digital distribution will bring attention to your message with live link to your site embed in your Ad. Ideal Audience  Your Ad will reach SHOOT's high profile/highly targeted audience of production & post decision-makers at agencies, production & post cos., studios, networks, streaming services and brands as well as hands on artisans, including, Directors, Cinematographers, Documentarians, Editors, Production designers, Music & Sound, VFX & Animation artisans, + more! Ideal Environment  SHOOT's Dec/Jan Issue will be packed with timely relevant content providing the ideal environment for your advertising! Ideal for advertising all production, post, music, & sound, VFX & animation companies, production services & equipment manufacturers -- let potential clients know why they should connect with your company, services & talented artists! And for FYC advertisers, it's the ideal issue for advertising your films, programs, Above-the-Line and Below-the-Line artisans generating Academy Awards and Guilds Awards buzz! Here's a look at some of what is planned for the Issue... Ad Agency Survey Feature--Outlook for 2024<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> Leading advertising agency creative directors, heads of production and executive producers look ahead to what might be in store for 2024--grounded in lessons learned in 2023. Among those sharing their observations are:<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Richard Adkins, head of production, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Wieden+Kennedy London Maru Bernal, creative director, TDA Boulder<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Chris Buhrman, executive creative director, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Hanson Dodge<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Rachel Carlson, creative director, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Foul Mouth<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Chris Crawford, chief creative officer, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Elite Media Shanky Das, managing partner/chief creative officer, TILT<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Cedric Devitt, chief creative officer, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Big Spaceship<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Josh Fell, chief creative officer, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Anomaly Nicolo Giarrano, creative director, Majority, Atlanta<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Jay Kamath, founder & chief creative officer, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">HAYMAKER<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Jeff O'Keefe, creative director, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">TBWA\Chiat\Day LA<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Robyn Tennenbaum, creative director, <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">BSSP Adam VonOhlen, EVP & executive creative director, Two by Four Harris Wilkinson, chief creative officer, TMA Tommy Wilson, head of production/executive producer, Humanaut<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> Additonal names TBA SHOOT 4th Quarter Top Ten Charts SHOOT’s 4th Quarter Top Ten "Music Tracks" Chart and a story delving into the #1 entry. AND, SHOOT’s 4th Quarter Top Ten "Visual Effects & Animation" Chart and a story which goes into greater detail on the #1 entry. The Top Spots of the Year, The Best Work You May Never See --And- Top VFX & Animation and Music Tracks of the Year in Advertising In search of the most memorable and affecting work of the year, SHOOT culls through such sources as its lineup of 2023 Top Spots of the Week, The Best Work You May Never See Gallery and its quarterly Visual Effects & Animation, and Top Ten Tracks Music Charts. The Road to Oscar & the Guild Awards, Part 9 The 16-part "Road To Oscar" series continues, continues as we take a look at what to expect this season and profile notable talent generating Oscar Buzz including directors, producers, cinematographers, editors, production designers, VFX, Animation, Music & Sound artisans. Among those award contenders are: Director J.A. Bayona shares insights into Society of the Snow (Netflix), which debuted at the Venice Film Festival and was selected by Spain as its entry for the Best International Feature Film category at the Oscars. Director Blitz Bazawule talks about his approach to the musical The Color Purple (Warner Bros.) Writer-director Emerald Fennell, a Best Original Screenplay Oscar winner for Pretty Young Woman, now returns with the much anticipated Saltburn  (Amazon MGM Studios) Production designer Ruth De Jong reflects on Oppenheimer (Universal Pictures) and coming together with writer-director Christopher Nolan. Casting directors Ellen Lewis and Rene Haynes discuss working with director Martin Scorsese on Killers of the Flower Moon (Apple TV+) Editor Kevin Tent, ACE continues his collaborative relationship with director Alexander Payne as the two teamed on The Holdovers (Focus Features). Tent has received Oscar and ACE Eddie Award nominations for Payne's The Descendants, and Eddie nods for such Payne films as Election, About Schmidt, Sideways and Nebraska. --Additional names TBA Guild Awards Season Preview - Television<strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"> <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> A look at world-class artists, including DP and editing talent, who could figure in the upcoming Guild awards season. The mix spans current Emmy nominees as well as those who have made integral contributions to TV/streaming shows that made their mark subsequent to when the latest Emmy nominations were announced. Among those sharing their observations are: All the Light We Cannot See (Netflix) director/executive producer Shawn Levy and cinematographer Tobias Schliessler, ASC. <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Barry (HBO) editors <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Ali Greer and <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Franky Guttman. Beef (Netflix) editors Laura Zempel, ACE and Nat Fuller compare notes on the finale episode of the limited series. <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Somebody Somewhere (HBO Max) cinematographer <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Shana Hagan, ASC. Additional names TBA Leading Cinematograhers Leading DPs shed light on their work, the challenges it posed, as well as the collaborative relationships with directors, EPs & others that helped bring their projects to fruition. Among the DPs offering insights are: Cristina Dunlap reflects on shooting writer-director Cord Jefferson's American Fiction (Amazon MGM Studios). Matthew Lloyd, ASC, CSC, discusses his working relationship with writer-director Ava DuVernay and their latest collaboration, Origin (Neon) Linus Sandgren, ASC, FSF--an Oscar and BAFTA Award winner for La La Land--discusses Saltburn (Amazon MGM Studios), his first collaboration with writer-director Emerald Fennell. Tobias Schliessler, ASC delves into his lensing of the feature film Rustin (Netflix). Additional names TBA Chat Room Interview-- In The Directors Chair: Jake Schreier<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">SHOOT revisits its In The Director’s Chair session with <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Beef (Netflix) director and executive producer <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Jake Schreier. The on stage inteview took place during <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">SHOOT’s 21st Annual New Directors Showcase Event at the DGA in NYC on 10/26. Schreier, who directs via Park Pictures, is currently nominated for two Emmys on the strength of his work on <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Beef--for Outstanding Limited Series as an executive producer on the show, and for Outstanding Directing in a Limited Series for his direction of “The Great Fabricator” episode. He also teamed with Dave Free and Kendrick Lamar to direct <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">We Cry Together, a Lamar short film which earlier this year won the Cannes Lions Grand Prix for Film Craft. Schreier’s body of work spans commercials, music videos, features (including<em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"> Robot & Frank which premiered at Sundance) and other TV series (such as the Michel Gondry-produced <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Kidding, and the FX comedy series <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Dave). He is currently in prep on a Marvel feature, <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Thunderbolts. Dec/Jan Issue Ad Deadlines   12/18: Final Space Reservations  12/22: Final Ad PDF Files Due Distribution 12/29: PDF Issue will be posted on SHOOTonline for 50,000 unique monthly visitors to view/download. Your Ad will have live link to your FYC site! 1/2: Starting on 1/2 for the next 6 weeks, we'll drive traffic to the issue with banner ads on our email newsletters. 1/2: Email Blast Alert emailed to 22,000+ subscribers to let them know Issue is available.  Ad Rates & Specs <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_prodpostdec23jan24.pdf">Click Here</a> for SHOOT Magazine Dec/Jan Issue Discount Rates We're please to offer 50% off our regular rates for this special issue All Digital/PDF Issue!    <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shootmagazine_printadspecs_1.pdf">Click Here</a> for SHOOT Magazine Print Ad Specs     SHOOT Magazine Sample <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"><a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot-10-2023-edition_0.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none">Click Here </a>to see the Oct/Nov 2023 Issue Issue Email alert Sample <a href="https://shoot.activehosted.com/index.php?action=social&chash=80384bb51273c4bd610693564d31e860.10329&s=48f4dff7a23c5253b900932aa6b07614" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none; background-color:#ffffff; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal">Click Here</a> for the Oct/Nov Issue email alert More Issue Samples<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"><a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/2023_augsept_edition_0.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none">Click Here</a> to see the Aug/Sept 2023 Issue <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"><a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2023_june-july_edition.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none">Click Here</a> to see the June/July 2023 Issue <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"><a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2023_jan_edition.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none">Click Here</a> to see the January 2023 Issue <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"><a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2022_nov-dec_e-dition.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none">Click Here</a> to see the Nov/Dec 2022 Issue <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"><a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2022_aug-sept_edition.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none">Click Here</a> to see the Aug/Sept 2022 Issue <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"><a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_june-july-2022r_edition.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none">Click Here</a> to see the June/July 2022 Issue <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2022_march-april_edition_0.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none; background-color:#ffffff; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal">Click Here</a> to see the March/April 2022 Issue<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2022_janfeb_edition_0.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none; background-color:#ffffff; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal">Click Here</a> to see the Jan/Feb 2022 Issue  <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2021_december_editionr.pdf" style="box-sizing:border-box; outline:none; color:#007bff; text-decoration:none; background-color:#ffffff; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal">Click Here</a> to see the Dec 2021 Issue                   Here's a look at SHOOT's other great marketing opportunities...                                                            SHOOTonline <a href="https://www.shootonline.com/emmyfyc" target="_blank"><img alt="" height="640" src="https://mailer.shootonline.com/dada_mail_support_files/file_uploads/shoot/SHOOTonline_Homepage.jpg" style="float:right" width="300" /></a>Highly targeted production/post industry website with 50,000+ unique visitors per month-the Ideal Cornerstone for your Ad Campaign!   Major Benefits to Advertising on SHOOTonline #1 When you purchase a banner it runs on the Home Page and all pages throughout the site - and there are thousands of them--a key benefit as while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our 3 email newsletters so they are entering the site on all different pages and your banner will be wherever that is! #2 Banners will also rotate up and down on pages where there are multiple slots of your size. Sometimes it will be on top of page, sometimes middle or bottom and even sometimes will be in multiple slots on the same page; always while appearing on all different pages at the same time. #3 Mobile Friendly! you'll be able to provide additional size banners for mobile at no extra cost so your banners appear perfectly on all mobile devices! #4 Banners, Intersitials & Wallpaper/Skins may start any day of the month. Traditional Sizes Billboard: 970x250      14 day Rate: $1,950. 30 day Rate: $3,600.    Side Half Page 300x600        14 day Rate: $1,950.  30 day Rate: $3,600.  Side Med Rectange 300x250      14 day Rate: $1,050.   30 day Rate: $1,800. Mid Horizontal 468x60      14 day Rate: $  850.   30 day Rate: $1,500. Special Sizes Interstitial: 600x500 up to 800x550      opens on black background when someone first enters the site      14 day Rate: $2,800.  30 day Rate: $4,800. Wallpaper/Skins: Top 1110x250 + Left & Right 300x1250s      biggiest/splashiest way to promote your FYC Advertising!      14 day Rate: $5,860.  30 day Rate: $10,000. Floor/Catfisher: 970x90      appears at bottom of above-the-fold part of screen & remains there as users scroll down!      14 day Rate: $1,950.   30 day Rate: $3,600.      Large Expandable Leaderboard: 970x90, expands down to 970x415      14 day Rate: 1,125.  30 day Rate: $4,200.                               <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shootonline.com_bannerspecs_2020.pdf">Click Here</a> for SHOOTonline.com banner specs    <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2023_digitaladrates_2.pdf" style="font-family: verdana, geneva, sans-serif; font-size: 12px;">Click Here</a> for Digital Ad Rates     The SHOOT>e.dition email newsletter Every Friday email newsletter to 22,000 opt-in subscribers, containing abstracts/links to all of the articles, columns, interviews, videos published on SHOOTonline & releases published on the SPW during the previous week. Great addition to SHOOTonline banner advertising - as readers of the >e.dition click back and forth to the site they will see your site banners that appear on the Home Page and all throughout the site. Banner Sizes Top:            468x60  -$  500.  Side:           180x150-$  375. Skyscraper: 180x600-$1,050. See web versions of a few SHOOT>e.diitons <a href="https://shoot.activehosted.com/index.php?action=social&chash=b6af2c9703f203a2794be03d443af2e3.10043&s=48f4dff7a23c5253b900932aa6b07614">6/9</a>  <a href="https://shoot.activehosted.com/index.php?action=social&chash=4a46fbfca3f1465a27b210f4bdfe6ab3.10087&s=48f4dff7a23c5253b900932aa6b07614">6/23</a>     SHOOT Custom Email Blasts Sent to our email database of 40,000 Rates One Blast: $3,500. net    Two or more Blasts during a 2 month period or same FYC Phase: $3,200. net each Minimum buy requirement to utilize SHOOT Custom Email Blast Service: Advertiser to run at least a 14 day SHOOTonline website banner                                                      The SHOOT Dailies Mon-Fri email newsletter to 3,500 opt-in subscribers, containing abstracts/links to all articles, columns, interviews, videos published on SHOOTonline.com & releases published on the SPW that day. (recommended add-on to a SHOOTonline/SHOOT>e.dition schedule for added cross-promotion)  The SHOOT Publicity Wire (SPW) Entertainment industry wire service provides $60. option for posting publicity releases with photos, video, links - ideal for promoting nominated work, above-the-line and below-the-line talent, behind the scenes videos, promos, new show launches and more. Fantastic distribution!  <a href="http://pr.shootonline.com/" target="_blank">Click Here</a> for info on distribution, categories, sample releases, etc. For Space Reservations & more info... please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699 ext 701 or <a href="mailto:rgriefer@PROTECTED?subject=SHOOT%20FYC%20Marketing%20Inquiry">via email</a> </td> </tr> <tr> <td> This message was sent to example@PROTECTED from SHOOT, 2046 Treasure Coast Plaza, Ste A-117, Vero Beach, FL 32960 To forward this message, please do not use the forward button of your email application, because this message was made specifically for you only.  Instead use the <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//#forward_to_a_friend" target="_blank">forward page</a> in our newsletter system. 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The Last Great Guild Awards/Academy Season Phase 1 FYC Ad Opportunity Is Closing Soon!

Tue, 12 Dec 2023 00:06:00 GMT

<table align="center" border="0" bordercolor="#ccc" cellpadding="5" cellspacing="0" style="border-collapse:collapse;width:700px;"> <tbody> <tr> <td style="text-align: center;">Trouble viewing this SHOOT email? See it online <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//">here</a> | <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//#forward_to_a_friend">Forward</a> to associate</td> </tr> <tr> <td> Join SHOOT on the  Road To Oscar & Guild Awards! Reach Above-the-Line & Below-the-Line Decision-makers <img alt="" height="763" src="https://mailer.shootonline.com/dada_mail_support_files/file_uploads/SHOOT_Jan22_Cover.jpg" style="float:left" width="776" /> A SHOOT Cover from Last Season SHOOT's High-profile Platforms Will Deliver Your FYC Messages Directly to  Above-the-Line & Below-the-Line Decision-makers, including  Directors, Producers, Cinematographers, Editors, Writers, Production designers, Music & Sound and VFX & Animation artisans, + more! Here's a look at SHOOT Phase 1 FYC Advertising Opportunities... </td> </tr> <tr> <td> SHOOT Magazine's December/January Phase 1 Issue "Closing Soon" This Issue will be an ALL PDF/Digital Issue  BENEFITS:  Looks like Print with all the exposure of Digital, with: Ideal Timing To ensure this issue is top-of-mind during Nominations voting(1/11-1/16), we’re going ALL Digital/PDF+EXTRA digital distribution with direct links to it to bring it even more attention. Ideal Audience of Above-the-Line & Below the Line decision-makers You'll reach SHOOT’s high-profile / highly targeted production & post industry decision-makers, including producers/production execs, directors, cinematographers, documentarians, editors, writers, VFX/Animation supervisors/artists, production designers, composers, sound designers + more. Ideal Environment          Road to Oscar, Part 9; Guild Awards Preview-Television, Leading Cinematographers Feature + more.             Ideal Rates          40% off regular print rates - see rates below     The Dec/Jan Phase I issue will be packed with relevant & timely coverage -- the people you want to reach will be reading cover to cover! Here's a look at some of the special features / interviews... The Road to Oscar, Part 9 SHOOT's 16-part “The Road To Oscar" Series, continues as we take a look at what to expect from the season ahead and profile some notable talent already generating Oscar buzz. Among those discussing their work are: <ul> <li>Director J.A. Bayona shares insights into Society of the Snow (Netflix), which debuted at the Venice Film Festival and was selected by Spain as its entry for the Best International Feature Film category at the Oscars.</li> <li>Director Blitz Bazawule talks about his approach to the musical The Color Purple (Warner Bros.)</li> <li>Writer-director Emerald Fennell, a Best Original Screenplay Oscar winner for Pretty Young Woman, now returns with the much anticipated Saltburn  (Amazon MGM Studios)</li> <li>Production designer Ruth De Jong reflects on Oppenheimer (Universal Pictures) and coming together with writer-director Christopher Nolan.</li> <li>Casting directors Ellen Lewis and Rene Haynes discuss working with director Martin Scorsese on  Killers of the Flower Moon (Apple TV+)</li> <li>Editor Kevin  Tent, ACE continues his collaborative relationship with director Alexander Payne as the two teamed on The Holdovers (Focus Features). Tent has received Oscar and ACE Eddie Award nominations for Payne's  The Descendants, and Eddie nods for such Payne films as Election, About Schmidt, Sideways and Nebraska.</li> <li>Additional names TBA</li> </ul> <font style="box-sizing:border-box; outline:none; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Leading Cinematograhers <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> Cinematographers who are in the current Awards season conversation shed light on their work, the challenges it posed, as well as the collaborative relationships with directors, EPs and showrunners that helped bring their projects to fruition. Participating DPs include: <ul> <li>Cristina Dunlap reflects on shooting writer-director Cord Jefferson's American Fiction (Amazon MGM Studios).</li> <li>Matthew Lloyd, ASC, CSC, discusses his working relationship with writer-director Ava DuVernay and their latest collaboration, Origin (Neon)</li> <li>Linus Sandgren, ASC, FSF--an Oscar and BAFTA Award winner for La La Land--discusses Saltburn (Amazon MGM Studios), his first collaboration with writer-director Emerald Fennell.</li> <li>Tobias Schliessler, ASC delves into his lensing of the feature film Rustin (Netflix).</li> <li>Additional names TBA</li> </ul> <font style="box-sizing:border-box; outline:none; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">                                              Guild Awards Season Preview - Television<strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"> <br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> A look at world-class artists, including DP and editing talent, who could figure in the upcoming Guild awards season. The mix spans current Emmy nominees as well as those who have made integral contributions to TV/streaming shows that made their mark subsequent to when the latest Emmy nominations were announced. Among those sharing their observations are: <ul> <li><em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">All the Light We Cannot See (Netflix) director/executive producer Shawn Levy and cinematographer  <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Tobias Schliessler, ASC.</li> <li><em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Barry (HBO) editors <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Ali Greer and <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Franky Guttman.</li> <li><em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Beef (Netflix) editors <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Laura Zempel, ACE and <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Nat Fuller compare notes on the finale episode of the limited series.</li> <li><em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Somebody Somewhere (HBO Max) cinematographer <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Shana Hagan, ASC.</li> <li>Additional names TBA</li> </ul> <font style="box-sizing:border-box; outline:none; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">  In The Director's Chair: Jake Schreier<br style="box-sizing:border-box; outline:none; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; font-weight:400; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial" /> <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">SHOOT revisits and highlights its In The Director’s Chair session with <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Beef (Netflix) director and executive producer  <strong style="box-sizing:border-box; outline:none; font-weight:bolder; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-style:normal; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Jake Schreier. The conversation with <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">SHOOT's editor took place on 10/26 during <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">SHOOT’s New Directors Showcase Event at the DGA in NYC. Schreier, who directs via Park Pictures, is currently nominated for two Emmys on the strength of his work on <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Beef--for Outstanding Limited Series as an EP on the show, and for Outstanding Directing in a Limited Series for his “The Great Fabricator” episode. He also teamed with Dave Free and Kendrick Lamar to direct We Cry Together, a Lamar short film which earlier this year won the Cannes Lions Grand Prix for Film Craft. Schreier’s body of work spans commercials, music videos, features (including<em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial"> Robot & Frank which premiered at Sundance) and other TV series (such as the Michel Gondry-produced <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Kidding, and the FX comedy series <em style="box-sizing:border-box; outline:none; font-weight:400; font-style:italic; color:#212529; font-family:Montserrat, sans-serif; font-size:14px; font-variant-ligatures:normal; text-align:left; white-space:normal; background-color:#ffffff; text-decoration-thickness:initial; text-decoration-style:initial; text-decoration-color:initial">Dave). He is currently in prep on a Marvel feature, Thunderbolts. Dec/Jan Issue Advertising Deadlines 12/17 Space Reservations   12/22 Ad PDF Files Due   Issue Distribution                                12/29 PDF Issue posted online for 50,000+ visitors to view/download                                1/2 Banner with link to Issue runs in the SHOOT>e.dition email newsletter sent to 22,000 subscribers           1/2 Custom Email Blast Issue Alert emailed to 40,000 database Special Ad Rates for this Issue - 40% off regular print rates Full Page 4C: $2,500. (inclues premium positioning) Two Full Pages 4C: $2,268. each (includes premium positioning) Three Full Pages 4C: $2,016. each (includes premium positioning) Cover 2: $2,700. Cover 3: $2,500. Cover 4: $2,700. <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shootmagazine_printadspecs_1.pdf">Click Here</a> for SHOOT Magazine Print Ad Specs <a href="https://d2p1nnn035jt22.cloudfront.net/pdf_uploads/shoot_2023_june-july_edition.pdf">Click Here</a> to see a recent Issue. See SHOOT's Other Great FYC Opportunities...                                                  <a href="https://www.shootonline.com">SHOOTonline.com</a>  <ul> <li> Highly targeted production/post industry website with 50,000+ unique visitors per month.  Major Benefits to FYC Advertising on SHOOTonline #1 When you purchase a banner it runs on the Home Page and all pages throughout the site - and there are thousands of them--a key benefit as while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our 3 email newsletters so they are entering the site on all different pages and your banner will be wherever that is! #2 Banners will also rotate up and down on pages where there are multiple slots of your size. Sometimes it will be on top of page, sometimes middle or bottom and even sometimes will be in two slots on the same page; always while appearing on all different pages at the same time. #3 Mobile Friendly! you'll be able to provide additional size banners for mobile at no extra cost so your banners appear perfectly on all mobile devices! #4 Banners, Intersitials & Wallpaper/Skins may start any day of the month.  Banner Sizes: Billboard 970x250       14 day Rate: $1,950. 30 day Rate: $3,600.    Side Half Page 300x600        14 day Rate: $1,950.  30 day Rate: $3,600.  Side Med Rectange 300x250      14 day Rate: $1,050.   30 day Rate: $1,800. 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Great addition to SHOOTonline banner advertising - as readers of the >e.dition click back and forth to the site they will see your site banners that appear on the Home Page and all throughout the site. <ul> <li> Phase 1 >e.dition Dates: Remaining Phase 1 dates: 12/14, 12/22, 12/29.1/5, 1/12 Phase 2 >e.dition Dates: 1/26, 2/2, 2/9, 2/16, 2/23 Banner Sizes Top:            468x60  -$  500.  Side:           180x150-$  375. Skyscraper: 180x600-$1,050. 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Fantastic distribution!  <a href="http://pr.shootonline.com/" target="_blank">Click Here</a> for info on distribution, categories, sample releases, etc. Contact:  For Space Reservations & more info... please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699 ext 701 or <a href="mailto:rgriefer@PROTECTED?subject=SHOOT%20FYC%20Marketing%20Inquiry">via email</a> </td> </tr> <tr> <td>                 This message was sent from SHOOT, 2046 Treasure Coast Plaza, Suite A-117, Vero Beach, FL 32960 To forward this message, please do not use the forward button of your email application, because this message was made specifically for you only.  Instead use the <a href="https://mailer.shootonline.com/dada/mail.cgi/archive/marketing_list//#forward_to_a_friend">forward page</a> in our newsletter system. 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