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The February issue provides the Ideal environment for reaching Commercial & Entertainment Production & Post Decision-Makers and Potential Clients Ad Agencies, Brands, Cable/TV/Online Networks, Movie Studios, Independent Filmmakers & Production/Post cos.
Place an Ad to bring high-profile exposure to your production, post, editorial, VFX, animation, Music & sound cos., directors & other artisans, recent work, workflow solutions, film offices, festival entries, awards & more. Industry decision-makers have been referring to SHOOT since 1960 to learn about who they may want to connect with; here's a great chance to give them a reason to connect with you!
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Coming up in SHOOT's February Issue...
Production & Post 2018 Survey
With the New Year underway, we'll hear from Leading Production and Post Company owners, presidents & managing directors on business/creative lessons learned in 2017 and how they will be applied going forward with their take on what business/creative issues and trends will be important in 2018 for the industry at large and their companies in particular. We'll hear about new work and thoughts on workplace pay disparity and misconduct.
Super Bowl Advertising
Super Bowl Advertising commentary & coverage - get a taste of what Ad Agency Creatives have to say about what spots worked, what didn't, and any trends and/or themes that marked this year's crop of Big Game ads. We'll hear from...
Brett Craig, executive creative director, Deutsch LA
Pam Fujimoto, executive creative director WongDoody
Nathan Frank, creative director, OOB
Robert Green, chief creative officer, Ripple Creative
Thas Naseemuddeen, partner, chief strategy officer, Omelet
Paula Maki, managing creative director, mono
Rob Schapiro, executive creative director, Brunner
Jeremy Schwartz, founder, chief creative officer, Truth Collective
Directors: Sundance Film Festival
A look at some of the directors and their work--ranging from features to shorts and TV fare--that debuted at this year's Sundance Film Festival January 18-28th.
We'll hear from...
Sam Bisbee, Park Pictures Features, shares insights into several films debuting at Sundance, including his company's first ever documentary, "The Sentence."
Director Nash Edgerton, who directs spots and branded content via The Directors Bureau, discusses his TV series "Mr. Inbetween," which is gaining exposure in Sundance's inaugural Episodic program.
DGA Award-winning and Oscar-nominated director Matthew Heineman reflects on "The Trade," a verite docu-series making its mark at Sundance.
Directors Guild of America DGA Awards
A SHOOT Report straight from attending the DGAfrom attending the DGA pre-awards "Meet the Commercial Nominees" & "Meet the Feature Nominees" sessions (on stage Q & A's with the nominees) and the DGA Awards, we'll report on both sessions and the February 3rd DGA Awards winners across
Film, TV & Commercials.
The directors nominated for Outstanding Directorial Achievement in Feature Film are:
Guillermo del Toro, "The Shape of Water"
Greta Gerwig, "Lady Bird"
Martin McDonagh, "Three Billboards Outside Ebbing, Missouri"
Christopher Nolan, "Dunkirk"
Jordan Peele, "Get Out"
The directors nominated for Outstanding Directorial Achievement in Commercials are:
Martin de Thurah, Epoch Films
Alma Har'el, Epoch Films
Hoffman/Metoyer, MJZ
Miles Jay, Smuggler
Isaiah Seret, Biscuit Filmworks
Visual Effects: Visual Effects Society VES Awards
A preview of the February 13th Gala Awards Show and interviews with several of the VES Awards nominees , including..
Joe Letteri of Weta Digital was sr. visual effects supervisor on "War for the Planet of the Apes," which tied for the most VES Award nominations this year with seven.
Tom Graham of The Mill, VFX shoot supervisor and 3D lead artist on the Kia's 2017 Super Bowl spot "Hero's Journey," a VES nominee for Outstanding Visual Effects in a Commercial.
Diarmid Harrison Murray, MPC London creative director, who worked on Samsung's "Do What You Can't: Ostrich," which earned 3 VES nominations: Outstanding Visual Effects in a Commercial; Outstanding Animated Character in a Commercial; and Outstanding Compositing in a Photoreal Commercial.
The Road to Oscar, Part 14
SHOOT's "Road to Oscar" Series continues exploring the backstories, creative challenges and collaborative relationships experienced by directors, producers, cinematographers, editors, production designers and other artisans nominated for an Oscar. Some of the people we'll be hearing from...
Director Guillermo del Toro discusses his many collaborators on "The Shape of Water," which led this year's Oscar tally with 13 nominations.
Producer Emilie Georges who earned her first career Oscar nomination, a Best Picture nod for "Call Me by Your Name"
Editor Sidney Wolinsky, who earned his first career Oscar nomination for cutting "The Shape of Water"
Production designer Sarah Greenwood has six career Oscar nominations, including two this year for her work on "Darkest Hour" and "Beauty and the Beast"
Cinematographers: ASC Award Nominees
With the Amercian Society of Cinematographers 32nd Annual Awards coming up on February 17th, SHOOT provides a look at some of this year's notable nominees, including
Roger Deakins, ASC, BSC discusses his collaboration with director Denis Villeneuve on "Blade Runner 2049," which earned the DP his 15th career ASC Award nomination and 14th Oscar nomination.
Rachel Morrison, ASC, discusses "Mudbound," for which she became the first woman ever to earn a Best Cinematography Oscar nomination and a feature film ASC Award nod.
Chat Room Interview
Director Floyd Russ from Tool of North America--whose Ad Council "Love Cam" PSA for R/GA earned a primetime commecial Emmy nomination last year--discusses his documentary short, ZION, which just debuted at Sundance.
Hot Locations
Film commission, lensing and incentive developments impacting feature, TV, commercial, music video, short film and interactive production.
February Issue Ad Deadlines
Space Reservations: Monday, Febuary 5
Ad PDF Files Due: Wednesday, February 7
Bonus Distribution: MUAHS Awards, HPA Technology Retreat, ICG Publicists Awards
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