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to learn about companies they may want to connect with. 
Reserve Ad Space today to take advantage of this great opportunity to tell SHOOT's audience of production & post decision-makers at Ad Agencies, Brands, Cable/TV Networks, OTT Services, Movie Studios & other production/post-related companies why they should connect with
YOUR COMPANY for their upcoming projects.

Your SHOOT Magazine Print Ad includes a Bonus PDF Version Ad with live link to your website!  The PDF Issue will go live on SHOOTonline on 10/26
for additional readers to view download. 
We'll drive traffic to the PDF Issue with Banner Ads in the SHOOT>e.dition email newsletter for 6 weeks after the issue is published & we'll email the PDF Issue to the 28,000 opt-in SHOOT>e.dition subscribers on 10/30 to bring even more exposure to the print issue advertisers!

Here's a look at what's coming up in the Issue...

Leading Directors Profiles
Leading film, TV & commercial directors share perspectives on recent work, collaborative relationships
and much more! Among those profiled will be:

• Lance Acord of Park Pictures sheds light on his commercialmaking, including Nike's recently released Colin Kaepernick anthem, and his upcoming first foray into feature film directing.
• Paul Greengrass, Best Directing Oscar nominee for United 93 & recipient of a DGA Award for Captain Phillips, discusses 22 July (Netflix) which is already in the Academy Awards conversation.
• John Hillcoat shares insights into "Corazon", the film for Montefiore hospital out of agency JohnXHannes which earned Cannes Health & Wellness Grand Prix distinction & a Cannes Entertainment Gold Lion. Hillcoat directs commercials/branded content via Serial Pictures.
• Tamara Jenkins discusses her feature film, Private Life (Netflix), starring Paul Giamatti & Kathryn Hahn.
• Sam Taylor-Johnson reflects on A Million Little Pieces (Warner Bros), which brought her to the Toronto Intl Film Festival. She is handled for spots/branded content by Hey Wonderful.
• Yorgos Lanthimos, a Best Original Screenplay Oscar nominee for The Lobster, discusses his latest feature The Favourite (Fox Searchlight), his collaborators on the film, and the allure of spots and branded content for which he recently joined Superprime Films in the U.S.
• Jake Scott reflects on American Woman, his feature which debuted at the Toronto Intl Film Festival. Scott also delves into how his commercialmaking at RSA informs his feature endeavors.
• Malik Vitthal of The Corner Shop discusses his Emmy-winning Procter & Gamble spot "The Talk"

Cinematographers & Cameras
Leading DPs take us behind-the-scenes on recent shoots and discuss the directors they worked with, their camera choices and more. Among those we will hear from are:

• Jeff Cronenweth, ASC who lensed director Sam Taylor-Johnson’s A Million Little Pieces (Warner Bros.), which made its world premiere at the Toronto International Film Festival. Cronenweth is a two-time Oscar nominee for his cinematography of the David Fincher films The Girl With the Dragon Tattoo and The Social Network.
• Xavier Grobet, ASC, AMC, reflects on lensing of Facebook's first original content projects, 
  "Sorry For Your Loss".
• Chayse Irvin, CSC, discusses his lensing of BlacKkKlansman (Focus Features) and collaborating with director Spike Lee.
• Giles Nuttgens, BSC, lensed 2 films which debuted at the Toronto Fest-- director Wash Westmoreland's Colette (30West) & Michael Winterbottom's The Wedding Guest (Sony Pictures).

The Road to Oscar Series Kick-off Feature
Meet some of the directors, DPs, editors & other artisans already generating buzz for the 2018/2019 Academy Season.  This Prequel sets the stage for this year's 15-part SHOOT Road to Oscar Series which will be published weekly starting on 11/9.
Among those offering insights will be:

• Editor Barry Alexander Brown, who enjoys a longstanding working relationship with filmmaker Spike Lee, discusses their latest collaboration, BlacKkKlansman (Focus Features).
• Costume designer Ruth Carter, a 2-time Academy Award nominee (Amistad, Malcolm X), reflects on Black Panther (Walt Disney Studios), which again has her in the Oscar conversation.
• Costume designer Sandy Powell, a three-time Oscar winner (The Aviator, Shakespeare In Love, The Young Victoria) discusses The Favourite (Fox Searchlight). 
• Cinematographer Linus Sandgren, FSF, an Academy Award winner for La La Land, is again in the Oscar conversation for another Damien Chazelle-directed feature, First Man (Universal).

Up-And-Coming Directors
The longstanding SHOOT tradition of searching out new talent continues with this feature interviewing a select group of emerging directors.  It's also a tradition not to announce the names of these directors until the issue is published - it's always worth the wait!
We can however provide a bit of tease about them; they are...
>A feature filmmaker who recently wrapped her first spot an empowering piece for Nike.
>A director who's meshing art and science to great effect, reflected in her work garnering a recent Grand Prix in VR at the Venice Film Festival.
>An emerging talent who first established himself as a VFX supervisor before showcasing his directorial wherewithal with a whimsical music & dance short that's scored on the festival circuit.
>And a still photographer who diversified into directing music videos and recently turned out her first spot, which poignantly tells the plight of a woman coping with mental illness.

"Top Ten Visual Effects & Animation" Chart
The third of this year's quarterly VFX & Animation Charts shines a light on some of the top visual effects & animation from the previous 3 months with a behind-the-scenes look at the Chart topping number one entry.
Plus VFX & Animation column: recent news and developments.

"Top Ten Music Tracks" Chart
The third installment of 2018's quarterly Music & Sound Top Ten Tracks Chart, looking at the best work of the previous 3 months, accompanied by the backstory on the number one entry.
Plus Music Notes column: the latest news and developments in the music production, sound design and audio post arena.

Hot Locations
The latest in lensing news & developments spanning projects, incentives and film commissions.

Chat Room Interview
Sharon Horgan, an Emmy nominee for her comedy writing on Catastrophe, the Amazon series she co-created, shares insights into her feature, TV, spot and branded content exploits via companies Merman and Mermade.

This Issue will have Bonus Distribution at the following Events that will be attended by a cross-section of commercial & entertaiment production/post decision-makers... 
American Film Market (AFM) / Location Expo, Santa Monica
Producers Guild of America (PGA) Produced By Conference, NYC
Hollywood Professional Alliance (HPA) Awards 

Marketing Opportunities for this Issue...

 Print Ad comes with Bonus PDF version Ad & Banner Advertising!
Bonus #1 for all print advertisers:
PDF version of your Ad will appear with live link to your site at no charge in PDF version of issue that will be posted on SHOOTonline & emailed to 28,000 opt-in subscribers to view/download.
Bonus #2 - additional bonuses are yours based on your Print Ad Size:
Place a 1/4 or 1/3 Page Ad and you'll receive space for a 180 x150 Banner on the 10/26 SHOOT>e.dition at no charge ($375. value)
Place a 1/2, 2/3 or 3/4 Page Ad and you'll receive space for a 180x150 Banner on the 10/26 SHOOT>e.dition and 10/29 special Directors>e.dition (value: $750.)
Best Value! - Place a Full Page Ad and you'll receive space for a 180x150 Banner on the 10/26, 10/29 (directors>e.dition ) & 11/2 SHOOT>e.ditions PLUS a 300x250 Banner on SHOOTonline.com for 2 weeks: 10/26-11/9 (total bonus value: $2,025.!!)

October/November Issue Advertising Deadlines
Space Reservations: October 17
Ad PDF Files Due: October 19 (final extension 10/22)
Click Here to contact SHOOT for Rates for this special issue.
Click Here for Print Ad Specs
Click Here for Banner Ad Specs

More Great Marketing Options...

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Get Info Here on SHOOT Digital & Print Advertising

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The SHOOT Publicity Wire (SPW)
Find Out how to post your "News Release"- unlimited text, up to 8 photos, Links & Video ($60.)
Or, post a "Video Release" with video of new work, brief description & credits ($20.)
The SPW is self-service; once you post your release, it will go live on the SPW & SHOOTonline with links to it going out in Brand New[s], The SHOOT Dailies and The SHOOT>e.dition email newsletters, RSS Feed & social media. 

SHOOT FREE Classifieds
SHOOT has relaunched its hugely popular classified section in digital format!
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For marketing information, ad rates & space reservations,
please contact SHOOT Publisher Roberta Griefer via email or 203-227-1699, ext 701