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Our Past FYC Advertisers honored at Guild and/or Academy Awards include
American Hustle, American Sniper, Argo, Arrival, Birdman or (The Unexpected Virtue of Ignorance), Boyhood, Bridge of Spies, Captain Philips, Dunkirk, Fences, Flight, Grand Budpest Hotel, Gravity, Hidden Figures, Hugo, Inside Llewyn Davis, LA LA Land, Lady Bird, Mad Max: Fury Road, Manchester by the Sea, Mudbound, Nebraska, Room, Selma, Silver Linings Playbook, Spotlight, The Artist, The Big Short, The Grand Budapest Hotel, The Hurt Locker, The Kings Speech, The Revenant, The Theory of Everything, Wolf of Wall Street
SHOOT "Road to Oscar" Series Enters the Home Stretch, and so do our Phase 2 FYC Advertising Opportunities.
Target Your FYC Messages to Above-the-line & Below-the-line Decison-makers via
SHOOT's high-profile digital and print platforms.
Phase 2 isn't the time to let up on your FYC Push; join SHOOT for the home stretch!
Here's a look at SHOOT's Final Phase 2
Digital & Print "FYC" Options...
Click Here for Phase 2 FYC website, email newsletter, print & custom email Rates
SHOOTonline.com
highly targeted production/post industry website with 40,000 unique visitors per month
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Start your run any day to run through 2/19. When you purchase a SHOOTonline banner it runs on the Home Page and all throughout the site - and there are thousands of pages--a key benefit as while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our 4 email newsletters so they are entering the site on all diferent pages.
Regular & Expandable Sizes: 728x90, 300x250, 300x600, 468x60, interstitial & custom units. Digital Files accepted: JPEG, GIF, Animated GIF, Flash, HTML5, java script, and third party tags. SHOOTonline is DFA and Jetpack certified.
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Click Here for SHOOTonline.com Banner Specs
The SHOOT>e.dition
weekly email newsletter published every Friday for 28,000 opt-in subscribers
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Banner Sizes: Top: 468x60, Side: 180x150 or 180x600, Bottom: 468x60 or 595x250
Sample: Click Here for web version of recent SHOOT>e.dition
Remaining Phase 1 SHOOT>e.dition Dates: 2/1, 2/8, 2/15
Digital Files Accepted/Specs: JPG, GIF or Animated GIF only; can provide tracking tags
SHOOT Magazine February Print Issue + Bonus PDF version
Make a splash with your Ad inside the Road to Oscar feature or other premium position.
Online & in readers' hands before and during final voting.
Final Space Reservations: 1/30 EOD
AD PDF File Due: 2/1 (final extension: 2/4)
Print Advertiser Bonus:
PDF version of your Ad with live link to your FYC site will run in PDF version of issue.
Issue PDF version posted on SHOOTonline.com: 2/8
Print Issue out: 2/8
Issue PDF version emailed to 28,000 opt-in subscribers: 2/11
Print Issue Bonus Distribution: HPA Tech Retreat, MUAHS Awards, ICG Publicists Awards
Here's a look at what's planned for the Issue...
The Road to Oscar, Part 14
SHOOT's "Road to Oscar" Series continues exploring the backstories, creative challenges and collaborative relationships experienced by Oscar nominees. We'll hear from...
Hannah Beachler reflects on Black Panther, for which she became the first African American to be nominated for a Best Production Design Oscar.
Editor Barry Alexander Brown, nominated for BlacKkKlansman, shares backstory on his longstanding collaborative relationship with Spike Lee.
Editor Hank Corwin earned his second career Oscar nomination, both for Adam McKay-directed films: The Big Short in 2016 and Vice this year.
John Ottman discusses editing Bohemian Rhapsody
Pawel Pawlikowski discusses Cold War, which earned him a Best Director Oscar nomination. Cold War is also up for Best Foreign Language Film of the Year.
And, SHOOT will include comments & insights from the DGA Award nominated directors also nominated for an Academy Award made during the "Meet the Feature Nominees" session that takes place prior to the DGA Awards. The directors are:
Alfonso Cuaron, Roma; Spike Lee, BlacKkKlansman; Adam McKay, Vice
Directors Guild of America DGA Awards
A SHOOT Report straight from attending the DGA pre-awards "Meet the Feature Nominees" session (on stage Q & A's with the nominees) and the DGA Awards Show, we'll report on both the session and the Award winners across several categories.
Here's a look at some of the talented nominees:
Outstanding Directorial Achievement in Feature Film
Bradley Cooper, A Star Is Born (Warner Bros. Pictures)
Alfonso Cuaron, Roma (Netflix)
Peter Farrelly, Green Book (Universal Pictures)
Spike Lee, BlacKkKlansman (Focus Features)
Adam McKay, Vice (Annapurna Pictures)
Outstanding Directorial Achievement in Documentary
Morgan Neville, Won’t You Be My Neighbor? (Focus Features)
Ramell Ross, Hale County This Morning, This Evening (Idiom Film and Louverture Films)
Elizabeth Chai Vasarhelyi & Jimmy Chin, Free Solo (National Geographic Documentary Films)
Tim Wardle, Three Identical Strangers, (Neon and CNN Films)
Betsy West & Julie Cohen, RBG, (Magnolia Pictures)
Cinematographers: ASC Award Nominees
With the ASC Awards taking place on February 9, SHOOT profiles nominees and honorees
in theatrical features and television, including:
Jon Joffin, ASC reflects on his recently garnered third career ASC Award nomination--for an episode of the Freeform network series "Beyond".
Robbie Ryan, BSC, ISC discusses shooting The Favourite for director Yorgos Lanthimos. The film earned the DP his first career Oscar, ASC Award and BAFTA Film Award nominations.
David Stockton, ASC received his sixth career ASC nomination, the latest for an episode of "Gotham".
Lukasz Zal, PSC shares insights into Cold War, which earned him his second career ASC Award and Oscar nominations.
Visual Effects: VES Awards
Profiles of several VFX supervisors whose work is prominent among this year's field of Visual Effects Society (VES) Award nominees.
Paul Lambert, visual effects supervisor at DNEG, discusses his VES and Oscar-nominated VFX supervising work on First Man.
Chris Lawrence, effects supervisor at Framestore, reflects on Christopher Robin, which earned him and his colleagues a VES nod for Outstanding Visual Effects in a Photoreal Feature.
Additional names to be announced
Directors: Sundance Film Festival
SHOOT connects with several directors who are premiering films at the 1/24-2/3 festival...
Joe Berlinger returns to Sundance for his scripted narrative feature: Extremely Wicked, Shockingly Evil and Vile.
Alison Klayman returns to the festival this year with The Brink, a cinema verite look at Trump's former chief White House strategist Steve Bannon.
Michael Tyburski's feature filmmaking debut, The Sound of Silence--produced by Washington Square Films and Anonymous Content--premieres in Sundance's U.S. Dramatic competition.
--Blinkink directors Becky Jones and Joe Pelling, aka Becky & Joe, premiere their "Don't Hug Me I'm Scared" pilot in Sundance's Indie Episodic showcase.
Chat Room Interview: Leslie Dektor
Leslie Dektor, who earned 13 DGA Award nominations as commercial director of the year, an honor he won twice--discusses his filmmaking life after advertising, which includes assorted documentaries, the latest being Growing Up. Also in the offing is a narrative feature on revered photojournalist Dorothea Lange, exec produced by David Fincher.
Click Here for SHOOT Magazine Print Ad Specs
Click Here to see PDF version of the Dec/Jan Print Issue
(FYC Ads for The Ballad of Buster Scruggs, A Quiet Place, 22 July, If Beale Street Could Talk, Vice, BlacKkKlansman, Mary Queen of Scots, Roma)
SHOOT Custom Email Blasts
You choose the date & time for your custom email blast to be sent out to SHOOT database of 45,000.
Click Here for Info/Rates. Here are links to web versions of a few recent SHOOT Custom Email Blasts sent: Cold War A Star is Born Roma Black Panther BlackKklansman
The SHOOT Dailies (M-F email newsletter)
Published daily Monday-Friday, the Dailies go to 3,500 opt-in subscribers. We recommend the Dailies in conjunction with a SHOOTonline.com or SHOOT>e.dition schedule; not as a stand-alone buy.
File formats accepted: JPEG, GIF, Animated Gif. Banner sizes include 728x90, 180x150.
Click Here for web version of a recent SHOOT Dailies.
The SHOOT Publicity Wire (SPW)
Entertainment industry news wire service costs just $60. to post publicity release with text, photos, video, links - ideal for promoting work, above-the-line and below-the-line talent, behind the scenes videos, promos, new films, show launches, award noms & wins and more. All self-service. Release distribution includes SHOOTonline Mobile App and SHOOT's opt-in ePubs (SPW Media Alerts, Brand New[s], SHOOT Dailies, SHOOT>e.dition) SHOOTonline.com site placement, archiving & indexing, RSS Feeds, social feeds to Twitter, Facebook, LinkedIn and mobile SMS dynamic feed,and search engine optimization (SEO) for Google, Yahoo, Bing, etc.
Click Here for SPW Info / how to post a release.
Click Here for SPW Home Page.
Click Here for SPW categories.
Contact
Click Here for more info on SHOOT's FYC Advertising
Click Here for Phase 2 FYC website, email newsletter, print & custom email Rates
For Space Reservations & more info, please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699 ext 701 or via email
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