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 SHOOT Dec/Jan
ALL Digital/PDF Issue
with Digital Distribution
Don't miss this great opportunity!
closing for space 12/18
& ad material 12/22
Ideal Timing
As we near the end of the year and start to look forward to the holidays, it's a great time to advertise as potential clients are also thinking about and planning their
New Year production & post needs. This ALL Digital/PDF Issue with digital distribution will bring attention to your message with live link to your site embed in your Ad.
Ideal Audience
Your Ad will reach SHOOT's high profile/highly targeted audience of production & post decision-makers at agencies, production & post cos., studios, networks, streaming services and brands as well as hands on artisans, including, Directors, Cinematographers, Documentarians, Editors, Production designers, Music & Sound, VFX & Animation artisans, + more!
Ideal Environment
SHOOT's Dec/Jan Issue will be packed with timely relevant content providing the ideal environment for your advertising! Ideal for advertising all production, post, music, & sound, VFX & animation companies, production services & equipment manufacturers -- let potential clients know why they should connect with your company, services & talented artists!
And for FYC advertisers, it's the ideal issue for advertising your films, programs, Above-the-Line and Below-the-Line artisans generating Academy Awards and Guilds Awards buzz!
Here's a look at some of what is planned for the Issue...
Ad Agency Survey Feature--Outlook for 2024
Leading advertising agency creative directors, heads of production and executive producers look ahead to what might be in store for 2024--grounded in lessons learned in 2023.
Among those sharing their observations are:
Richard Adkins, head of production, Wieden+Kennedy London
Maru Bernal, creative director, TDA Boulder
Chris Buhrman, executive creative director, Hanson Dodge
Rachel Carlson, creative director, Foul Mouth
Chris Crawford, chief creative officer, Elite Media
Shanky Das, managing partner/chief creative officer, TILT
Cedric Devitt, chief creative officer, Big Spaceship
Josh Fell, chief creative officer, Anomaly
Nicolo Giarrano, creative director, Majority, Atlanta
Jay Kamath, founder & chief creative officer, HAYMAKER
Jeff O'Keefe, creative director, TBWA\Chiat\Day LA
Robyn Tennenbaum, creative director, BSSP
Adam VonOhlen, EVP & executive creative director, Two by Four
Harris Wilkinson, chief creative officer, TMA
Tommy Wilson, head of production/executive producer, Humanaut
Additonal names TBA
SHOOT 4th Quarter Top Ten Charts
SHOOT’s 4th Quarter Top Ten "Music Tracks" Chart and a story delving into the #1 entry.
AND,
SHOOT’s 4th Quarter Top Ten "Visual Effects & Animation" Chart and a story which goes into greater detail on the #1 entry.
The Top Spots of the Year, The Best Work You May Never See
--And-
Top VFX & Animation and Music Tracks of the Year
in Advertising
In search of the most memorable and affecting work of the year, SHOOT culls through such sources as its lineup of 2023 Top Spots of the Week, The Best Work You May Never See Gallery and its quarterly Visual Effects & Animation, and Top Ten Tracks Music Charts.
The Road to Oscar & the Guild Awards, Part 9
The 16-part "Road To Oscar" series continues, continues as we take a look at what to expect this season and profile notable talent generating Oscar Buzz including directors, producers, cinematographers, editors, production designers, VFX, Animation, Music & Sound artisans.
Among those award contenders are:
Director J.A. Bayona shares insights into Society of the Snow (Netflix), which debuted at the Venice Film Festival and was selected by Spain as its entry for the Best International Feature Film category at the Oscars.
Director Blitz Bazawule talks about his approach to the musical The Color Purple (Warner Bros.)
Writer-director Emerald Fennell, a Best Original Screenplay Oscar winner for Pretty Young Woman, now returns with the much anticipated Saltburn (Amazon MGM Studios)
Production designer Ruth De Jong reflects on Oppenheimer (Universal Pictures) and coming together with writer-director Christopher Nolan.
Casting directors Ellen Lewis and Rene Haynes discuss working with director Martin Scorsese on Killers of the Flower Moon (Apple TV+)
Editor Kevin Tent, ACE continues his collaborative relationship with director Alexander Payne as the two teamed on The Holdovers (Focus Features). Tent has received Oscar and ACE Eddie Award nominations for Payne's The Descendants, and Eddie nods for such Payne films as Election, About Schmidt, Sideways and Nebraska.
--Additional names TBA
Guild Awards Season Preview - Television
A look at world-class artists, including DP and editing talent, who could figure in the upcoming Guild awards season. The mix spans current Emmy nominees as well as those who have made integral contributions to TV/streaming shows that made their mark subsequent to when the latest Emmy nominations were announced.
Among those sharing their observations are:
All the Light We Cannot See (Netflix) director/executive producer Shawn Levy and cinematographer Tobias Schliessler, ASC.
Barry (HBO) editors Ali Greer and Franky Guttman.
Beef (Netflix) editors Laura Zempel, ACE and Nat Fuller compare notes on the finale episode of the limited series.
Somebody Somewhere (HBO Max) cinematographer Shana Hagan, ASC.
Additional names TBA
Leading Cinematograhers
Leading DPs shed light on their work, the challenges it posed, as well as the collaborative relationships with directors, EPs & others that helped bring their projects to fruition.
Among the DPs offering insights are:
Cristina Dunlap reflects on shooting writer-director Cord Jefferson's American Fiction (Amazon MGM Studios).
Matthew Lloyd, ASC, CSC, discusses his working relationship with writer-director Ava DuVernay and their latest collaboration, Origin (Neon)
Linus Sandgren, ASC, FSF--an Oscar and BAFTA Award winner for La La Land--discusses Saltburn (Amazon MGM Studios), his first collaboration with writer-director Emerald Fennell.
Tobias Schliessler, ASC delves into his lensing of the feature film Rustin (Netflix).
Additional names TBA
Chat Room Interview-- In The Directors Chair: Jake Schreier
SHOOT revisits its In The Director’s Chair session with Beef (Netflix) director and executive producer Jake Schreier. The on stage inteview took place during SHOOT’s 21st Annual New Directors Showcase Event at the DGA in NYC on 10/26. Schreier, who directs via Park Pictures, is currently nominated for two Emmys on the strength of his work on Beef--for Outstanding Limited Series as an executive producer on the show, and for Outstanding Directing in a Limited Series for his direction of “The Great Fabricator” episode. He also teamed with Dave Free and Kendrick Lamar to direct We Cry Together, a Lamar short film which earlier this year won the Cannes Lions Grand Prix for Film Craft. Schreier’s body of work spans commercials, music videos, features (including Robot & Frank which premiered at Sundance) and other TV series (such as the Michel Gondry-produced Kidding, and the FX comedy series Dave). He is currently in prep on a Marvel feature, Thunderbolts.
Dec/Jan Issue Ad Deadlines
12/18: Final Space Reservations
12/22: Final Ad PDF Files Due
Distribution
12/29: PDF Issue will be posted on SHOOTonline for 50,000 unique monthly visitors to view/download. Your Ad will have live link to your FYC site!
1/2: Starting on 1/2 for the next 6 weeks, we'll drive traffic to the issue with banner ads on our email newsletters.
1/2: Email Blast Alert emailed to 22,000+ subscribers to let them know Issue is available.
Ad Rates & Specs
Click Here for SHOOT Magazine Dec/Jan Issue Discount Rates
We're please to offer 50% off our regular rates for this special issue All Digital/PDF Issue!
Click Here for SHOOT Magazine Print Ad Specs
SHOOT Magazine Sample
Click Here to see the Oct/Nov 2023 Issue
Issue Email alert Sample
Click Here for the Oct/Nov Issue email alert
More Issue Samples
Click Here to see the Aug/Sept 2023 Issue
Click Here to see the June/July 2023 Issue
Click Here to see the January 2023 Issue
Click Here to see the Nov/Dec 2022 Issue
Click Here to see the Aug/Sept 2022 Issue
Click Here to see the June/July 2022 Issue
Click Here to see the March/April 2022 Issue
Click Here to see the Jan/Feb 2022 Issue
Click Here to see the Dec 2021 Issue
Here's a look at SHOOT's other great marketing opportunities...
SHOOTonline
 Highly targeted production/post industry website with 50,000+ unique visitors per month-the Ideal Cornerstone for your Ad Campaign!
Major Benefits to Advertising on SHOOTonline
#1 When you purchase a banner it runs on the Home Page and all pages throughout the site - and there are thousands of them--a key benefit as while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our 3 email newsletters so they are entering the site on all different pages and your banner will be wherever that is!
#2 Banners will also rotate up and down on pages where there are multiple slots of your size. Sometimes it will be on top of page, sometimes middle or bottom and even sometimes will be in multiple slots on the same page; always while appearing on all different pages at the same time.
#3 Mobile Friendly! you'll be able to provide additional size banners for mobile at no extra cost so your banners appear perfectly on all mobile devices!
#4 Banners, Intersitials & Wallpaper/Skins may start any day of the month.
Traditional Sizes
Billboard: 970x250
14 day Rate: $1,950. 30 day Rate: $3,600.
Side Half Page 300x600
14 day Rate: $1,950. 30 day Rate: $3,600.
Side Med Rectange 300x250
14 day Rate: $1,050. 30 day Rate: $1,800.
Mid Horizontal 468x60
14 day Rate: $ 850. 30 day Rate: $1,500.
Special Sizes
Interstitial: 600x500 up to 800x550
opens on black background when someone first enters the site
14 day Rate: $2,800. 30 day Rate: $4,800.
Wallpaper/Skins: Top 1110x250 + Left & Right 300x1250s
biggiest/splashiest way to promote your FYC Advertising!
14 day Rate: $5,860. 30 day Rate: $10,000.
Floor/Catfisher: 970x90
appears at bottom of above-the-fold part of screen & remains there as users scroll down!
14 day Rate: $1,950. 30 day Rate: $3,600.
Large Expandable Leaderboard: 970x90, expands down to 970x415
14 day Rate: 1,125. 30 day Rate: $4,200.
Click Here for SHOOTonline.com banner specs
Click Here for Digital Ad Rates
The SHOOT>e.dition email newsletter
Every Friday email newsletter to 22,000 opt-in subscribers, containing abstracts/links to all of the articles, columns, interviews, videos published on SHOOTonline & releases published on the SPW during the previous week. Great addition to SHOOTonline banner advertising - as readers of the >e.dition click back and forth to the site they will see your site banners that appear on the Home Page and all throughout the site.
Banner Sizes
Top: 468x60 -$ 500.
Side: 180x150-$ 375.
Skyscraper: 180x600-$1,050.
See web versions of a few SHOOT>e.diitons 6/9 6/23
SHOOT Custom Email Blasts
Sent to our email database of 40,000
Rates
One Blast: $3,500. net
Two or more Blasts during a 2 month period or same FYC Phase: $3,200. net each
Minimum buy requirement to utilize SHOOT Custom Email Blast Service:
Advertiser to run at least a 14 day SHOOTonline website banner
The SHOOT Dailies
Mon-Fri email newsletter to 3,500 opt-in subscribers, containing abstracts/links to all articles, columns, interviews, videos published on SHOOTonline.com & releases published on the SPW that day. (recommended add-on to a SHOOTonline/SHOOT>e.dition schedule for added cross-promotion)
The SHOOT Publicity Wire (SPW)
Entertainment industry wire service provides $60. option for posting publicity releases with photos, video, links - ideal for promoting nominated work, above-the-line and below-the-line talent, behind the scenes videos, promos, new show launches and more. Fantastic distribution!
Click Here for info on distribution, categories, sample releases, etc.
For Space Reservations & more info...
please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699 ext 701 or via email
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