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SHOOT provides a highly-conducive environment in which to showcase your company; one filled with valuable information, thought-provoking commentary, the highest level of talent & work and the excitement of new talent.  It's one that your potential clients enjoy, respect and consistently turn to to learn about companies they may want to connect with. 
Reserve Ad Space today to take advantage of this great opportunity to tell SHOOT's audience of production & post decision-makers at Ad Agencies, Brands, Cable/TV Networks, OTT Services, Movie Studios & other production/post-related companies
why they should connect with YOUR COMPANY for their upcoming projects!

Your SHOOT Magazine Print Ad includes a Bonus PDF Version Ad with live link to your website!  The PDF Issue will go live on SHOOTonline on 10/25
for additional readers to view download. 
We'll drive traffic to the PDF Issue with Banner Ads in the SHOOT>e.dition email newsletter for 6 weeks after the issue is published & we will email the PDF Issue to the 28,000 opt-in SHOOT>e.dition subscribers on 10/29 to bring even more exposure to the print issue advertisers!
Here's a look at what's coming up in the Issue...

Leading Directors Profiles
SHOOT profiles major directors whose work spans feature film, TV, commercial and branded content. Many of these filmmakers have already made or appear poised to make their mark on the awards show circuit for their short and long-form fare. 
Among those profiled will be:

• Chinonye Chukwu whose Clemency (Neon) is in the Oscar conversation after winning the Grand Jury Award in the U.S. Dramatic Competition at this year's Sundance Film Festival.
• Robert Eggers--who earned Best First Feature and Best Screenplay Film Independent Spirit Awards in 2017 for The Witch--reflects on his 2nd motion picture, The Lighthouse (A24), which made a major splash at this year's Cannes Film Festival.
• Nisha Ganatra--a Golden Globe-winning and Emmy-nominated director for Transparent, here feature directorial debut Late Night (Amazon) scored impressively at Sundance--looks to bring a new female comedy perspective to the ad arena via Chelsea Pictures.
• Marielle Heller adds to her track record of directing tour de force performances, directing Tom Hanks as Mr. Rogers in A Beautiful Day in the Neighborhood (Sony Pictures). Heller is also active in spots and branded content via production house Caviar.
• Bong Joon Ho, writer-director of Parasite (Neon), this year's Palme d'Or winner at the Cannes Film Festival.
• Dan Krauss (a two-time Oscar nominee for the doc. shorts The Death of Kevin Carter and Extremis) sheds light on his feature documentary 5B, which won the Cannes Entertainment Lions Grand Prix a month after premiering at the Cannes Film Festival.  The film from the Johnson & Johnson brand is named after San Francisco General Hospital's ward 5B which opened in 1983 as the first full-fledged hospital unit dedicated to treating people with AIDS. Krauss is with Saville Productions for spots and branded content.
• Lulu Wang discusses her acclaimed film, The Farewell (A24), which sparked a bidding war earlier this year at the Sundance Film Festival.

Cinematographers & Cameras
Leading DPs take us behind-the-scenes on recent shoots and discuss the directors they worked with, their camera choices and more. Among those we will hear from are:

• Natasha Braier, ASC, ADF discusses lensing the Alma Har'el-directed feature Honey Boy, which is making a major mark on the festival circuit.
• Paul Cameron, ASC--an Emmy and ASC Award nominee for Westworld, shares insights into shooting his latest feature, 21 Bridges (STX Entertainment), directed by Brian Kirk.
• Checco Varese, ASC sheds light on his lensing of the recently released box office topper It: Chapter Two (Warner Bros. Pictures).

The Road to Oscar Series, Part 2
Meet some of the directors, DPs, editors & other artisans already generating buzz for the 2019/2020  Academy Season.  The 16-part SHOOT Road to Oscar Series which will be published weekly through the Academy Awards.
Among those offering insights in this installment are:

• Rupert Goold, director of Judy (Roadside Attractions) featuring a tour de force performance by Renee Zellweger as Judy Garland.
• Oscar-nominated DP Cesar Charlone discusses shooting The Two Popes (Netflix) for long-time collaborator, Oscar-nominated director Fernando Mereilles.
• Oscar-nominated cinematographer Phedon Papamichael, ASC who reflects on lensing Ford v. Ferrari (20th Century Fox).
• Production designer Barbara Ling discusses her first collaboration with writer-director Quentin Tarantino: Once Upon a Time....in Hollywood (Sony-Columbia Pictures).
• Cinematographer Mihai Malaimare Jr. reflects on lensing director Taika Waititi's Jojo Rabbit (Fox Searchlight), Audience Award winner at the Toronto International Film Fest.
• Additional artisans to be announced.

Up-And-Coming Directors
The longstanding SHOOT tradition of searching out new talent continues with this feature interviewing a select group of emerging directors.  It's also a tradition not to announce the names of these directors until the issue is published - it's always worth the wait!
We can however provide a bit of tease about them; they are...

• A directorial duo which made its feature filmmaking debut while securing its first production house roost for commercials and branded content.
• A Short Subject Documentary Oscar winner who's breaking into the ad arena.
• A DGA Award nominee in the Variety/Talk/News/Sports-Specials category makes his first foray into the spotmaking world.
• An HBO late night series in-house director looks to break into ad comedy.

Reflections on Emmy 
A recap of the long and winding Road To Emmy, with feedback from the winners on the programs that continued to dominate as well as those that unexpectedly broke through.

"Top Ten Visual Effects & Animation" Chart
The third of this year's quarterly VFX & Animation Charts shines a light on some of the top visual effects & animation from the previous 3 months with a behind-the-scenes look at the Chart topping number one entry.
Plus VFX & Animation column: recent news and developments.

"Top Ten Music Tracks" Chart
The third installment of 2019's quarterly Music & Sound Top Ten Tracks Chart, looking at the best work of the previous 3 months, accompanied by backstory on the number one entry.
Plus Music Notes column: the latest news and developments in the music production, sound design and audio post arena.

Chat Room Interview
Writer-director Scott Z. Burns discusses The Report (Amazon) in which Adam Driver stars in the true story of Daniel J. Jones, a Senate staffer tasked to investigate the CIA's post-9/11 Detention and Interrogation Program.

Hot Locations
The latest in lensing news & developments spanning projects, incentives and film commissions.

Tool Box 
Technology/equipment news Column

This Issue will have Bonus Distribution at: 
Hollywood Professional Alliance (HPA) Awards 

Marketing Opportunities for this Issue...

 Print Ad comes with Bonus PDF version Ad & Banner Advertising!
Bonus #1 for all print advertisers:
PDF version of your Ad will appear with live link to your site at no charge in PDF version of issue that will be posted on SHOOTonline & emailed to 28,000 opt-in subscribers to view/download.
Bonus #2 - additional bonuses are yours based on your Print Ad Size:
Place a 1/4 or 1/3 Page Ad and you'll receive space for a 180 x150 Banner on the 10/25 SHOOT>e.dition at no charge ($375. value)
Place a 1/2, 2/3 or 3/4 Page Ad and you'll receive space for a 180x150 Banner on the 10/25 SHOOT>e.dition and 10/28 special Directors>e.dition (value: $750.)
Best Value! - Place a Full Page Ad and you'll receive space for a 180x150 Banner on the 10/25, 10/28 (directors>e.dition ) & 11/1 SHOOT>e.ditions (value: $1,125.!)

October/November Issue Advertising Deadlines
Space Reservations: October 16
Ad PDF Files Due: October 18 (final extension 10/21)
Click Here to contact SHOOT for Rates for this special issue.
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The SHOOT Publicity Wire (SPW)
Find Out how to post your "News Release"- unlimited text, up to 8 photos, Links & Video ($60.) Or, post a "Video Release" with video of new work, brief description & credits ($20.)
The SPW is self-service; once you post your release, it will go live on the SPW & SHOOTonline with links to it going out in Brand New[s], The SHOOT Dailies and The SHOOT>e.dition email newsletters, RSS Feed & social media. 

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For marketing information, ad rates & space reservations,
please contact SHOOT Publisher Roberta Griefer via email or 203-227-1699, ext 701