Deadline Approaching To Lock In Great Spot In SHOOT's Emmy Phase 2 Issue & Other FYC opportunities...

 
From: "SHOOT | SHOOTonline" <rgriefer@PROTECTED>
Date: July 26th 2021
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SHOOT Aug/Sept Emmy Phase 2 Print & PDF Issue with Digital Distribution: Ad Closing 7/28!  See info below.

Reach Above-the-Line & Below-the-Line Decision-makers! 

There's Still Time To Take Advantage of Some Of SHOOT's 
High-profile Digital & Print FYC Options.

SHOOT's annual 16-Part Road to Emmy Series continues and we're deep in interviewing and profiling many of Directors, Showrunners, Exec Producers, Cinematographers, Editors, Writers, Production Designers, VFX & Music/Sound Artisans who are Emmy Nominees. 

SHOOT Phase 2 FYC Opportunities...

    SHOOT Magazine Aug/Sept Phase 2 Print Issue
   + Bonus PDF Issue with Digital Distribution!

Timed to be in hands more than a week prior to the start of final voting, this issue will be packed with timely relevant content, including our "Road to Emmy Part 13" & "Road to Emmy, Parts 1-11 Recap features, presenting the ideal environment for your FYC messages.

  • Aug/Sept Print/PDF Issue Ad Deadlines: 
    7/28: Final Space Reservations
    7/30: AD PDF File due
    (final material extension: 8/2)
    8/2: Final Ad Material Extension
    Samples:
    Click Here to see SHOOT Magazine's Emmy Phase 1 June/July Issue. 
    Click Here to see the email alert sent to 22,000 subscribers linking to June/July PDF Issue.
    Print Ad Rates & Specs:
    Click Here for SHOOT Magazine Emmy Phase 2 Aug/SeptPrint Ad Rates
    Click Here for SHOOT Magazine Print Ad Specs
    Issue Distribution:
    8/6: PDF Issue will be posted on SHOOTonline for 50,000 unique monthly visitors to view/download.
           We will drive traffic to it with banner ads on site and email newsletters.
    8/9: Email Alert emailed to 22,000 opt-in subscribers to let them know Issue is available. 
    8/9-8/12: Print Issue in Readers' hands well before final voting 8/19-8/30.

    Check out just some of the great content planned for this issue...
  • The Road to Emmy, Part 13 Lead Feature:
    SHOOT continues its 16-part “The Road To Emmy" series which takes a look at what programs and artisans are nominated for an Emmy Award.  We connect with artisans spanning directors, producers, showrunners, cinematographers, editors, composers, sound designers, production designers and more.  Among the nominees sharing insights in this installment are:
    --Eric Kripke, creator/showrunner of The Boys (Amazon Prime), which earned five Emmy nominations this season, including for Outstanding Drama Series.
    --Director Declan Lowney who received an Outstanding Directing for a Comedy Series nomination for Ted Lasso (Apple TV+), one of the 20 nods earned by the show, including for Outstanding Comedy Series.
    --Amy E. Duddleston, ACE who this year scored two Outstanding Single-Camera Picture Editing noms for the "Miss Lady Hawk Herself" and "Fathers" episodes of Mare of Easttown (HBO), which garnered a total of 16 nominations including for Outstanding Limited Series.
    --Production designer Will Hughes-Jones reflects on Bridgerton (Netflix), his nomination being one of a dozen garnered by the show, including for Outstanding Drama Series.
    --Director/cinematographer Steve James & cinematographer Jackson James discuss City So Real (National Geographic), the docuseries which received a pair of nods--in the Outstanding Documentary or Nonfiction Series and Outstanding Cinematography for a Nonfiction Program categories.
    --Editor Heather Persons secured her first Emmy nomination for The Flight Attendant (HBO Max), which tallied a total of nine nominations, including for Outstanding Comedy Series.
    --Additional nominees to be announced
  • The Road to Emmy, Parts 1-11 Recap Feature:
    Having interviewed many artisans during the Parts 1-11 installments of the Series who went on to become Emmy nominees, we take this opportunity to shine a spotlight on them again. They are:
    --Nominated directors: MJ Delaney & Zach Braff, both nominated for Ted Lasso (Apple TV+),
    Susanna Fogel for The Flight Attendant (HBO Max), Matt Shakman for Wandavision (Disney+),
    Craig Zobel for Mare of Easttown (HBO)
    --Nominated cinematographers: James Laxton for The Underground Railroad (Amazon),
    Jeffrey Jur, ASC for Bridgerton (Netflix)
    --Nominated editors: Greg Finton, ACE & Lindsay Utz, ACE, for Billie Eilish: The World's A Little Blurry (Apple TV+), Michelle Tesoro, ACE for The Queen's Gambit (Netflix)
    --Nominated production designers: Elisabeth Williams, The Handmaid's Tale (Hulu), Anne Seibel, Emily in Paris (Netflix), John P. Goldsmith, Perry Mason (HBO), Sara K. White, The Flight Attendant (HBO Max)
    --Music: Kris Bowers, composer, Bridgerton (Netflix)
    --Outstanding Comedy Series: Sam Zvibleman, co-creator, director, EP, Pen15 (Hulu)
    --Outstanding Drama Series: Ken Olin, director/EP, This Is Us (NBC)
  •  Cinematographers & Cameras
    SHOOT catches up with leading cinematographers who share insights into recent work, collaboration with directors and camera choices. 
    --Alice Brooks reflects on lensing Lin-Manuel Miranda's  In the Heights (Warner Bros.) for director Jon M. Chu
    --Autumn Durald Arkapaw discusses the feature film approach she, director Kate Herron and Marvel brought to the Disney+ series Loki.
    --Alan Jacobsen takes us on a high seas adventure in The Loneliest Whale: The Search For 52 (Bleecker Street), a documentary executive produced by Leondardo Decaprio and Adrian Grenier. 
  • Chat Room
    Writer-director Sian Heder, whose feature film CODA (which will be released theatrically, and make its streaming debut--on Apple TV+ in August) won the Dramatic Grand Jury Prize, Audience and Best Directing Awards this year at Sundance, is diversifying into the ad arena, connecting with Independent Media for representation. This awards season she also earned a Film Independent Spirit Award nomination for Best New Scripted Series on the strength of Little America for which she serves as an executive producer. Heder is also a three-time Writers Guild Award nominee for Orange Is the new Black, a show on which she was a co-producer.                                          

                                                  SHOOTonline.com 

  • Highly targeted production/post industry website with 50,000+ unique visitors per month. 
    Major Benefits to FYC Advertising on SHOOTonline
    #1 When you purchase a banner it runs on the Home Page and all pages throughout the site - and there are thousands of them--a key benefit as while thousands of users enter the site via the Home Page, thousands others enter through links in articles from one of our 3 email newsletters so they are entering the site on all different pages and your banner will be wherever that is!
    #2 Banners will also rotate up and down on pages where there are multiple slots of your size. Sometimes it will be on top of page, sometimes middle or bottom and even sometimes will be in two slots on the same page; always while appearing on all different pages at the same time.
    #3 Mobile Friendly! you'll be able to provide additional size banners for mobile at no extra cost so your banners appear perfectly on all mobile devices!
    #4 
    7-day up to 30-day Banners, Intersitials & Wallpaper/Skins may start any day of the month.

  • SHOOTonline Banner Sizes:
    970x250, 970x90, 728x90, 300x250, 300x600
    (Some sizes are sold out for some dates)
    Special Sizes:
    Click Here
    for Samples of the following...

    Interstitial: 600x500 up to 800x550 (opens on black background when someone first enters the site)
    Wallpaper/Skins: Top 1110x250 + Left & Right 300x660 up 1200 
    Floor/Catfisher: 970x90
    (appears at bottom of above-the-fold portion of screen & stays there as people scroll down to see content/ads below)
    Expandable 970x90 Banner (expands down to 970 x up to 415)
                                 
    Click Here for SHOOTonline.com banner specs    Click Here for Digital Ad Rates    

The SHOOT>e.dition email newsletter
Every Friday email newsletter to 22,000 opt-in subscribers, containing abstracts/links to all of the articles, columns, interviews, videos published on SHOOTonline & releases published on the SPW during the previous week. Great addition to SHOOTonline banner advertising - as readers of the >e.dition click back and forth to the site they will see your site banners that appear on the Home Page and all throughout the site.

SHOOT Custom Email Blasts
Sent to our email database of 40,000, hugely popular for FYC messages including screening / virtual screening invitations, BTS videos, etc. 
Phase 2 dates currently available
Mon 8/2, Tues 8/3, Wed 8/4, Thurs 8/5, Fri 8/6, Sat 8/7, Sat 8/14, Sat 8/28

Here are links to just a few of the Emmy FYC Phase 1 custom email blasts we sent out...
>AppleTV+ THE ME YOU CAN'T SEE    >HBO IT'S A SIN          
>Hulu        THE HANDMAID'S TALE     >Netflix The Crown
>Amazon   The Boys                         >NatGeo   Aretha

Rates
One Blast: 3,500. net
Two or more Blasts during Phase 2: $2,900. net each
Click Here for Custom Email Blast Info

Minimum buy requirement to utilize SHOOT Custom Email Blast Service:
Advertiser to run at least a 1-week SHOOTonline website banner - Net Rates (Home Pg/ROS, 20% SOV):
>Billboard 970x250: $975.00         
>Side Half Page 300x600: $975.00
>Interstitial up to 800x550: $1,400.00
Wallpaper/skin Top 1110x250 + left & right 300x660: $2,925.00

 

                                                    The SHOOT Dailies
Monday-Friday email newsletter to 3,500 opt-in subscribers, containing abstracts/links to all of the articles, columns, interviews, videos published on SHOOTonline.com & releases published on the SPW that day.  
(recommended add-on to a strong SHOOTonline/SHOOT>e.dition schedule for added cross-promotion) 

Here are links to web versions of a M-F set of SHOOT Dailies email newsletters:
Mon.11/30, Tues.12/1, Wednes.12/2, Thurs. 12/3, Fri. 12/4  

The SHOOT Publicity Wire (SPW)
Entertainment industry wire service provides $60. option for posting publicity releases with photos, video, links - ideal for promoting nominated work, above-the-line and below-the-line talent, behind the scenes videos, promos, new show launches and more. Fantastic distribution!
 
Click Here for info on distribution, categories, sample releases, etc.

Contact: 
Click Here for more info on SHOOT's Emmy FYC Advertising
For Space Reservations & more info...
please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699 ext 701 or via email

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